SYNOPSICS
Beautiful Boy (2010) is a English movie. Shawn Ku has directed this movie. Michael Sheen,Maria Bello,Kyle Gallner,Logan South are the starring of this movie. It was released in 2010. Beautiful Boy (2010) is considered one of the best Drama movie in India and around the world.
Bill and Kate are in an emotionless marriage with their only son away at college. They knew he didn't sound happy but then comes the news that he was the mass murderer at his school killing 17 professors, fellow students and himself. They try to move on with their lives but they are held back by their own grief and the fact that the media and everyone around them view them as monsters. The more they fight it, they realize they only have each other.
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Beautiful Boy (2010) Reviews
Downbeat but richly acted
Beautiful Boy is not a fun movie to watch. Although arrestingly realistic, it can be a pretty painful ordeal to endure. In fact, it feels like such an immaculate representation of what it must be like to live through a horrific tragedy that one feels uneasy, restless, and depressed for hours afterward. So – know that going into the theater. As the story begins, a college freshman named Sammy is calling his parents at home to check in. Mom Kate (Maria Bello) is a typical concerned parent, wanting her child to do well; Dad Bill (Michael Sheen) asks is Sam needs any money and is doing well, and he hangs up. The next morning, the terrible news: Sam has shot 18 students and teachers in his college before killing himself. The movie wisely shows us nothing of the massacre; its focus is on the aftermath. Kate and Bill are staked out by the media. They escape to her brother's house to live with him, his wife, and their young son. They are vilified on television and online, particularly on Sam's Facebook. Their parenting is constantly questioned. In short time, they are questioning themselves: Did they make this happen? Kate and Bill had been drifting apart for some time, to the point where Bill was actively looking for a new place to live. The tragedy doesn't immediately bring them together, and it doesn't immediately drive them farther apart. Rather, they each drift some more, apart not just from each other but from reality. They blame themselves. They blame each other. They don't blame anyone. They continue on. There's hardly a note in the movie that doesn't ring true. These characters are not caricatures, and they aren't archetypes, either. Both Bill and Kate seem completely believable, and with the tragedies in places such as Columbine and Virginia Tech, they are characters who very much feel like they could be living next door to us right now. That they are trashed and widely hated is understandable, and luckily neither character lacks the self-awareness to grasp why people are so mad. Bill reasons that the public wants to believe that the couple feels bad about what their son has done. They do, of course. They show their deepening anguish in different ways, but their devastation is complete. Their lives are seemingly ruined. But this is not a movie without any hope. The subject matter is gruesome, but it's not tiresome. What we see are real reactions from realistic people. There are no real good guys, just a couple of people who've suddenly lost their way. Whether they regain it is almost immaterial, just as it's almost immaterial whether they regain it together. For us, it's the journey from their discovery through the passage of a week or so that's the true endgame. Neither does the film wallow in sentimentality for the sake of making us feel good. The true moments of joy are fleeting, just as they can be in real life. Even a dark movie can contain passionate performances.
Beautiful Boy is a raw and realistic look at society in which very few filmmakers dare to explore.
Kate (Maria Bello) and Bill (Michael Sheen) have been struggling with their marriage for years and have decided to give it one final go before actually calling it quits. One night while planning their huge family vacation, their son Sam (Kyle Gallner) calls and seems quite out of it. Both Kate and Bill seem worried but feel that Sam is just having a rough time during his first semester away at college. The next day, life goes on as normal until the couple is notified that their has been a mass shooting at their son's college. Its only a matter of hours before Bill and Kate's already troubled life gets worse as they learn that Sam is not only dead, but the one who began to shoot up the school. A raw, realistic, and heart-wrenching look into our society ensues... Man, do I love movies like this! I love movies that dare to tackle subject matters that our society just completely ignores. Beautiful Boy is not only a realistic tale about a crumbling marriage, but also a unique look at the family of a trouble college student who did the unthinkable. In a time where school shootings are at an all time high, there comes a movie like this that dares to examine the subject matter from a unique perspective. For years after mass shooting at various schools like Virginia Tech, Northern Illinois, and of course the notorious Columbine, its about time some filmmaker dared to take a look into this subject and from the parents point of view. When we hear about school shootings, we always think about the crazy kid who shot up the school, but we never question for a second, what about the parents and how are they taking the news. The media tends to point the blame at the parents and state that they must have screwed the kid up and caused him/her to do that. Why purely blame the parents? Why isn't it on our society? The media? Or even just the large amount of hate in this world. No one can deny that there are some crazy people in this world, but the question that remains is who is to blame and what would ever bring a person to take on such horrific action? No one knows and this film doesn't necessarily answer that questions, but instead does show how hard the parents not only take the loss, but how it makes them feel as people who have to live with knowing what their child is a killer. While this film not only tackles that difficult subject matter; it also takes a brutally honest look at divorce and the basic struggles of every day life. Many husbands and wives stay together for the kids in our society today. I personally know several people that have stood together for the years when their marriage was on the rocks. Beautiful Boy shows this with Bill and Kate throughout the film and how the couple goes through periods where their love is strong and where it is weak. There is a huge fight scene near the end of the film in which Kate and Bill begin to violently argue about the relationship and whose fault it is that Sam turned out the way he did. That scene would bring tears to the eyes of any couple who has a kid or wants a child. It is gripping, raw, and unforgettable. In order for this film to work as perfectly as it did, it clearly depended on Maria Bello and Michael Sheen to give realistic and believable performances. Needless to say, they nail it and gave some powerful and gut-wrenching performances. The chemistry and tension that they face is as real as any that I have seen in real life. When they are happy on screen, you are happy and when they are sad and miserable, you are sad and miserable. This film is clearly a character study of Kate and Bill and while there are some great supporting roles its really only those two who we as audience members are focused on. Bello and Sheen are the ones knock this film out of the park and give some truly Oscar worthy performances. I applaud director/writer Shawn Ku as well as co-writer Michael Armbruster for creating a film that makes our society look at life, marriage, and adolescent violence from a whole new perspective. The script was well written and the scenes were placed perfectly throughout the film to make the movie keep the audience wanting more. The emotional scenes in this film were beautifully captured by Shawn Wu, who seems to have an eye for detail on capturing raw emotion from his actors. With Wu's direction, Beautiful Boy feels makes the audience feel as though we are dealing with the events that are taking place on screen and as filmmakers that is a great accomplishment. At the end of the day, Beautiful Boy is definitely not the feel good film of the summer, but is probably one of the most powerful and realistic films that I have seen in many years. It's real, raw, and brutally honest and I love that about indie films. I love feeling good when I go to a movie, but I also like movies that tackle issues that are relevant to our society today. This film does that and while many may not appreciate how honest of a film this is, I did and applaud everyone involved for taking on a film of this caliber. Beautiful Boy will more than likely be one of those films that around December of this year that will make it's way onto my " best of" list for the year.
A unique take with two powerhouse performances.
It seems that Hollywood, especially lately, has been in the habit of giving us films dealing with parents suffering the loss of a child. We see them scream, we see them cry, we see them go through the same routine. Beautiful Boy takes this theme and puts a unique, much more tragic, spin on it. Michael Sheen and Maria Bello play parents who lose their college-age son, but worse is their son died after shooting up his school. So along with them having to grieve the loss of their boy, they have to suffer the scrutiny of the media attacking their son and them publicly, along with fighting themselves in trying to figure out what led to this awful thing happening. They fight with whether they're responsible, whether they should take time to grieve or try to go back into things and as many other things as you can think of in this struggle for normalcy in understanding when everything else is fighting against them. Of course anything dealing with themes like this gives way to a lot of opportunity for melodrama. There's a subplot with a novelist that is very silly and expected and a few other scenes that rang false, but for the most part the film was surprisingly honest and from the heart. These characters suffer in real ways and even though the film initially splits the two into stereotypes, Bello having the hysterical screams and disbelief and Sheen with the stunned silence, as it progresses they both go through phases of devastation, denial and just a need to understand and get past it. It doesn't do anything particularly unique in how they grieve, but the two performers make you feel everything these characters go through. They bring a lot of power to their roles and it can definitely hit very hard at times. Both Sheen and Bello have always been fine actors who rarely get the chance to demonstrate their immense talents. Here they are given full opportunity to let their skills show and neither of them hesitate to do so. Whether they are having a shouting match in a hotel room, consoling one another in tears or just silently trying to deal with this huge tragedy, it's hard to take your eyes off either of them. It definitely goes down the expected path, but these two make it well worth watching with their powerhouse performances and I did admire the slight turn on what had kind of become a tired setup. Making the son this kind of person added a lot of layers to the struggle these two had to go through.
Beautiful Boy is beautiful.
Beautiful Boy is beautiful. Its beauty lies in the honest and real way it shows the effect on the parents, family and community. It is powerful, emotional and altogether well made. I like that I haven't seen a movie like this before. This is something happening in our country but we don't talk about it. We don't do anything before or after to help those affected; especially not the family of the culprit. The acting is spot on. Maria Bello and Martin Sheen were amazing. Alan Tudyk was just right. He played the supportive,shocked brother/uncle. But he was there for his sister in just the way a good brother would be. Alan was the reason I went to see this movie and he was in it for quite a while. Don't be put off by the subject matter. This movie is a great character study. It is well made and worth seeing. I'm glad I saw it. I'd go again.
Hits too close to home -- quietly moving piece
I watched this film last night, two weeks after the bombing at the Boston Marathon, where some virtual bystanders are still wringing their hands about how "normal" and "sweet" Suspect #2 was. The parents are angry and either in utter denial or (at least with respect to the mother) in silent conspiracy, claiming that the brothers were framed and they could not have been terrorists. The characters and plot line in "Beautiful Boy" resemble the Sandy Hook horror even more closely. Imagine that Nancy Lanza was not killed by her son and that Peter Lanza still lived at home, unhappy and on the verge of moving out. Their anguished discussions, how they individually deal with the guilt and grief, their desperate investigation of their son's life for clues as to how and why, the blame and heartbroken accusations that they hurl at each other - - these are so spot on that the film can be uncomfortable and unnerving. The movie also masterfully captures the wide spectrum of others' reactions. The brother and sister-in-law who offer their home and as much love and sympathy as they can, but still emit occasional flashes of blame and fear for how their own son could be impacted by their presence. A young author who the wife believes is a friend, until she finds him hunting through her son's belongings for material for the book he wants to write. The open house held for the home, where media vultures, neighbors with cameras, and the thrill-seeking curious thoughtlessly devour the cookies the wife baked, hoping that they would make the house smell better. Michael Sheen and Maria Bello play the roles of husband and wife with precision and depth. Moon Bloodgood (soon to return in the upcoming "Falling Skies" season) seems somewhat dispassionate and impersonal in her interactions with others as the sister-in-law, but that is a criticism I have for most of her performances. The scene where she expresses frustration to her husband about Maria taking over control of the home comes across as rehearsed. Alan Tudyk (currently in "Suburgatory") as the brother is more sympathetic to the plight of his family, but also displays a limited range of emotion. The son, played by Kyle Gallner, is mesmerizing in his few moments of screen time, and I feel that the movie would have been much stronger if we were permitted to see a little more of his college environment and the days leading up to the shooting. However, I recognize that is the very point of the movie - - we want to understand how people make these terrible decisions, but we never can see enough evidence because ultimately there is nothing that can justify such evil. The parents, who are arguably the ones who should have the best chance of understanding their children's motivations and conduct, are often as lost and confused as the rest of the world, with the added component of trying to comprehend the degree of their own culpability. Those dynamics are nicely captured in this film.