SYNOPSICS
Beyond a Reasonable Doubt (2009) is a English movie. Peter Hyams has directed this movie. Jesse Metcalfe,Amber Tamblyn,Michael Douglas,Joel David Moore are the starring of this movie. It was released in 2009. Beyond a Reasonable Doubt (2009) is considered one of the best Crime,Drama,Mystery,Thriller movie in India and around the world.
High profile lawyer Mark Hunter has an impeccable record putting criminals behind bars and is a shoe-in for governor in the upcoming election. But when ambitious rookie journalist, C.J. Nicholas begins investigating Hunter for tampering with evidence to secure his convictions, the district attorney's perfect record is up for scrutiny. Commencing a risky game of cat and mouse with Hunter, C.J. frames himself as a murder suspect to catch the corrupt D.A. in the act. Romantically involved with C.J. but unaware of his assignment, assistant D.A. Ella Crystal becomes caught between her boss's political ambitions and C.J.'s dangerous expose. As mounting evidence stacks up against both men, Ella's own life becomes threatened when she discovers incriminating proof that puts the fate of both C.J's innocence and Hunter's reputation in her hands.
Beyond a Reasonable Doubt (2009) Trailers
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Beyond a Reasonable Doubt (2009) Reviews
A Mixed Bag
There are so many questions raised by this film that it is difficult to review it. The original screenplay by Douglas Morrow (1956) has been 'updated' by writer/director Peter Hyams, and while the concept of the plot is a strong one, it requires rather savvy actors to make it work. Aside from Michael Douglas as the DA of questionable ethics and court proceedings, the rest of the cast is a rather ill-prepared group of nascent actors in need of more experience than in the fluff films from which they came. C.J. Nicholas (Jesse Metcalfe) enters the Shreveport scene complete with a prize for reporting, eager to make it big and earn a Pulitzer: he seems to have an equal obsession with chasing young pretty women and finds one in the person of Ella Crystal (Amber Tamblyn) who happens to be the assistant to the DA. Nicholas, and his entertaining co-worker Corey (Joel David Moore), are on to something - they believe that the DA tampers with forensic evidence to win cases, focusing on phony DNA samples rather than thorough investigation. Out to debunk the DA, Nicholas plans to plant evidence at a crime scene, a stunt he will later use to expose the wannabe Governor DA, and in order to make this work, he places himself as the 'evidential perpetrator' of a crime. He manages to draw Ella into his circle of lust as well as his overall plan to unseat the DA. Things change and the ending could have been surprising in the hands of better actors. The film is heavily padded with the requisite car chases and explosions and derring-do of the good cop/bad cop type, but the real problem with the movie is the weak presence of Metcalfe and Tamblyn. If the viewer can tolerate the confusing aspects of mixing high humor in the first part with the supposed suspense in the second, then the film is worth the entertainment. It could have been a stronger film with a cast of professionals. Grady Harp
Fascinating failure--great idea, poor execution, it's that simple.
Beyond a Reasonable Doubt (2009) Michael Douglas is impeccable whenever he has a role with brutal power, with cunning, with speechmaking the cuts through the listener, with selfish focus. And he is all these things here. But he is properly the third name on the credits, and the two leads, both little known to me, are young and capable and unexceptional actors. With the three of them, there might have been a decent movie possible. The hook here is an amazing, simple, audacious idea. A young reporter (Jesse Metcalf) is suspicious of a District Attorney (Douglas) who is faking evidence, so he sets himself up as the perp in a crime he didn't commit to trap the DA at his game. So it looks like a hero at work, an undercover reporter who is going to prove justice, Al Pacino style. And he has both a buddy (the not so handsome sidekick) and a girlfriend (Amber Tamblyn). The girlfriend, strategically, is on the staff of the DA. But things go wrong. Very wrong. The DA is more ruthless than they realized. The girlfriend ends up taking over the investigation of her own boss, and ends up uncovering, with some improbability, some flaws in the reporter's character, too. The movie ends with a terrific (not) two word send off, probably meant to appeal to young people who have wanted to say those two words to lots of their boyfriends and girlfriends themselves. Or have. Lots of crime thrillers have plots like this, good ones with twists that are calculated but great entertainment. This one is repeatedly hamstrung by bad writing, however. And this bad dialog is sometimes acted poorly, so that you almost groan out loud. It's especially painful because the plot is pretty intense if you give it a chance. In fact, sometimes it almost seems intentional the way a character acts a little flippant or silly, and yet it struck me as out of place. This might make it impossible to really get the depth of what was intended. Which is too bad. A remake done well would have the potential to really work.
A Disappointing Joke
Really--I would be embarrassed to be associated with this movie! I was initially intrigued by the basic plot, but as the movie unfolded I found myself groaning over the poor dialog, disconnected character personalities and unconvincing acting. The premise of the movie was so good, but the details and execution, oh so poor. The soundtrack was laughable as the key subject in the film went from store to store finding the "evidence" that was to be used against him in court. The ending was painful to watch. The dramatic "twist" of the plot at the end was so ill conceived it came across not as an "ah-ha" moment, but a "you've got to be kidding me" moment. The overly dramatic "F-You" at the end was probably the worst ending moment of a film I've ever seen. Save the one dollar you'll spend at Redbox.
Plot full of holes, plus acting full of nothing equals bad movie
Gee, let's see... 1. Why didn't C.J.'s defense attorney subpoena C.J.'s boss at the TV station, who would have told the jury that C.J. had been pushing a story about the DA planting evidence? That would have at least put reasonable doubt in the jurors' minds. 2. Michael Douglas warns C.J. that prison phone calls are monitored (duh...). But apparently his flunky co-conspirator detective wasn't aware that parking garages serving the DA's office would probably be videotaped. Besides, the donut-creating "terror" scene was stupid. 3. C.J. was smart enough to develop a brilliant plot involving a fake interview that earned him a journalism award, but so dumb he gives his girlfriend a copy so that she could later make the connection between his fake story and the murder. Take these mistakes, throw in some poor acting and a totally unnecessary car chase and you have "Beyond a Reasonable Doubt." Better yet, don't watch the movie in the first place, and save yourself an hour and a half.
Mediocre and disposable
The only thing which stood out for me in the mediocre film Beyond a Reasonable Doubt (2009) was seeing the logo of the company RKO during the opening credits.Sure, it is a modernized digital version (I wish they had kept the "retro" look), but it was still nice to see that that legendary studio keeps being active (or maybe, a nostalgic investor simply bought the rights...I do not know).Unfortunately, that trivial detail was one of the best elements from this movie, because despite the main idea being slightly ingenious, the screenplay develops it on a boring and uninteresting way, at the same time the movie also has bad performances and bland direction from the mercenary Peter Hyams. The screenplay from Beyond a Reasonable Doubt (2009) discards any consistency, and it makes the characters to commit stupid mistakes which go against their character and the most basic common sense.We also feel the squeaks in the narrative gears when the screenplay tries to justify action scenes or moments of suspense in order to bring some life to the inert drama and also distract us from the multiple holes from the story.This film is the remake of a film which was directed in 1956 by the great Fritz Lang (1890-1976), and I suppose that many elements from the original film would feel anachronistic on a contemporary version, so Hyams (on his work as a screenwriter) faced the ungrateful homework of conciliating old concepts with modern technology.As a consequence, we have an erratic logic where the advanced digital analysis of a photograph is possible, but at the same time, the facility of duplicating the digital content of a DVD is ignored.So, the abundance of inconsistencies such as that one, hollow characters and hasty deductions are the main elements which make Beyond a Reasonable Doubt (2009) to be mediocre, boring and disposable. So, in conclusion I cannot recommend this movie.It may not be bad, but it is so mediocre and insipid that I feel I could have used the time I invested in watching it doing something more interesting.