Bring It On (2000) is a English movie. Peyton Reed has directed this movie. Kirsten Dunst,Eliza Dushku,Jesse Bradford,Gabrielle Union are the starring of this movie. It was released in 2000. Bring It On (2000) is considered one of the best Comedy,Romance,Sport movie in India and around the world.
The Toro cheerleading squad from Rancho Carne High School in San Diego has got spirit, spunk, sass and a killer routine that's sure to land them the national championship trophy for the sixth year in a row. But for newly-elected team captain Torrance, the Toros' road to total cheer glory takes a shady turn when she discovers that their perfectly-choreographed routines were in fact stolen from the Clovers, a hip-hop squad from East Compton, by the Toro's former captain. While the Toros scramble to come up with a new routine, the Clovers, led by squad captain Isis have their own problems - coming up with enough money to cover their travel expenses to the championships. With time running out and the pressure mounting, both captains drive their squads to the point of exhaustion: Torrance, hell bent on saving the Toros' reputation, and Isis more determined than ever to see that the Clovers finally get the recognition that they deserve. But only one team can bring home the title, so may the...
Bring It On (2000) Trailers
I thoroughly enjoyed "Bring It On". The film's brisk pacing was perfectly suited to its theme, thanks to director Peyton Reed, the writing smart, sharp, and consistently and authentically funny,(as well as, at times, genuinely thought-provoking)thanks to writer Jessica Bendinger, and the acting solid all around. I also liked "Bring It On" for what it didn't have-alot of tired, cliched boy-girl relationship stuff, and/or gratuitous sex/nudity. The opening dream/cheer sequence was a moment of sheer, brilliant comic/satiric movie magic, and later, when the professional choreographer shows up to help the Toros out, he almost steals the show. But what impressed me, perhaps, most of all about "Bring It On" was the wonderful chemistry between the two beautiful-and talented-young female leads, Kirsten Dunst and Eliza Dushku.
This movie was extremely enjoyable and I recommend it. The characters are not annoying for the most part, and I especially enjoyed seeing new faces Elisa Dushku (Missy) and Jesse Bradford (Cliff). They have screen presence and should be in front of the camera for many years to come, especially Elisa, who is really very beautiful. When you look at her, there's so much there, unlike most actresses whose faces do not say anything. You can tell there is alot going on in her mind just by her face. The screenplay is intelligent and very funny and aside from a slow stretch or two, I really liked the movie. It is not like "Clueless" or anything else, which of course is a good thing. One of my favorite scenes is when Cliff and Torrance (Kirsten Dunst) are brushing their teeth. Its probably a throw-away scene and there is no dialogue, but it was really great, for me at least.
"Cheerleaders are dancers who have gone retarded," says Sparky, the modern dance-influenced choreographer who from $2000 dollars a pop teaches cheerleaders the mysteries of Fosse-inflected "happy fingers." Bring It On, which was a surprise hit in the fall of 2000, clearly believes that cheerleaders are far more than hoofers gone to seed. Despite the frequent jokes at their expense in the film, Bring It On shows cheerleaders are spirited, athletic, graceful, and most importantly, relevant to the 21st Century. Colorfully shot, attractively cast, and snappily written, Bring It On is hardly a great movie, but it's perfectly appealing for most people and I'd guess that the millions of cheerleaders and former cheerleaders nationwide will get a lot more out of it. The plot is simple. It's like Rocky. Or Varsity Blues. Or any other sports movie you've ever seen. New captain of the five time national cheerleading champions Toros, Torrance (Kirsten Dunst) is shocked when the new girl on the squad (Eliza Dushka), a gymnast, tells her that all of the routines that made the squad famous were stolen from an inner city school in East Compton, two hours up the coast. Determined to prove that they can do it themselves, the Toros go through a fairly short journey to self-empowerment. There's a pounding bass line, lots of teens in short skirts, some fun flipping, and a lesson about being true to yourself and believing in others. The film also takes on any number of myths about cheerleaders. Are male cheerleaders all gay, or do they just like grabbing girls' rears? The answer, of course is a little from column A and a little from Column B. Are cheerleaders all airheads? Well, the issue of whether or not these girls go to class is done away with in two minutes at the beginning of the film. From that point on, education, books, and homework are never mentioned. Any occasional signs of intelligence are held up to ridicule, though these "sweater puppets" are all quick with a witty retort, so they must have something going on upstairs. And finally, is cheerleading a sport? Well, this film comes out firmly on the side of yes. For all of its verve, Jessica Bendinger's script is too reductive for the movie to be taken very seriously. The white girls are obviously upper scale and spoiled. Naturally the white girls don't have any sass at first and naturally they borrow it from their African-American neighbors. The black girls are supposed to be poor. Not that that's really depicted in this day-glo colored world. In fact, through the wonders of Hollywood Central casting, the squad from East Compton actually looked even more racially homogenous than the "Buffys" from San Diego. This is an inner city high school that has a cheerleading squad featuring a dozen girls with identical light complexions and straight hair. The racial assumptions at work here would be offensive if the movie placed any premium on reality. Instead, as directed by Peyton Reed, everything is colorful, glossy, and easy on the eyes. The intricate cheerleading routines are mostly shot from strange angles or awkward close-ups to make it impossible to tell if the cast is actually doing any of the cheering stunts at all. When Kirsten Dunst makes good small movies (see The Virgin Suicides or Dick), nobody goes to them. So I suppose it's fitting that this movie was a smash. She's always an entertaining screen presence and for now she's still young enough that it isn't ridiculous for her to keep playing high school characters. How her career progresses as she matures remains to be seen. The rest of the cast seems like they were picked from the set of a WB series. Now since I kind of like a number of WB series, I don't mean this as an insult in any way. The Warner Brothers network has proven a good training ground for attractive young women to read catchy dialogue and everybody in Bring It On seems very skilled with the zingers. And as the aforementioned Sparky the choreographer, Ian Roberts is just hilarious and his scene is easily the funniest part of the movie. In the end, Bring It On is fairly satisfying. It's also amusing to note the strange directions that this movie is able to stretch the limits of the PG-13 rating in terms of language and certain forms of implied sexuality. But that's neither here nor there. Bring it On gets a not-to-be-ashamed-of 6/10 from me.
This is a movie where more talent than necessary has been invested in a film basically aimed at entertainment-seeking adolescents, people interested in dance routines, and a few older men who enjoy watching young girls jump about. It follows the fortunes of an award-winning cheerleader team and the hapless football team they support. A film about cheer leading, something that is, as far as I know, a uniquely American phenomenon, sounds pretty cheesy. The remarkable thing is that the acting and dialogue raise it a bit above the minimum required and the cheer leading dance sequences are a revelation for anyone who thought it was just about waving arms in the air and shouting support for the football team. Gabrielle Union (10 Things I Hate About You) and Kirsten Dunst (Drop Dead Gorgeous & Virgin Suicides) were both cheerleaders at school - did this help with the authenticity? The amazing routines are quite dazzling to watch - requiring a very high level of stamina, physical fitness, athletic ability and dance technique. The overhead panning brings them almost to the level some of the old song and dance movie scenes with synchronized dancing. Synchronized dance in itself is difficult stuff, but fast paced synchronized dancing (to a great soundtrack, by the way) involving major aerial throws, difficult jive moves and lots of personality thrown in, is quite an achievement. The film never takes itself too seriously, from the football announcer who says at the end of the match, "our next defeat is scheduled for next Tuesday", to the out-takes while the credits roll, the attitude is firmly tongue in cheek. The script includes plenty of teenage bitching reminiscent of Clueless (adolescents often seem to show their intellectual prowess at clever, and often vicious repartee, that is all par for the course), but the acting is convincing and even the awkward issues of race and homosexuality are handled well. One cannot but help congratulate them for making a good film out of such a flimsy premise.
Interestingly enough, one of the most tired and boring cliches in both film and high school has been the subject of two genuinely enjoyable, if fluffy, movies in less than a year. I speak of course, about cheerleaders and both 'Bring It On' and 'Sugar and Spice'. But while 'Sugar and Spice' was campy and surreal, 'Bring It On' is a self-consciously serious movie advancing the idea of the cheerleader as athlete. While this idea is an honest and accurate one, it's one that audiences will only take so far. Cheerleaders may indeed be finer athletes than those on the sports teams they cheer for- I'd believe it, although I've never been a cheerleader and only rarely watch them on ESPN. I do know, though, that 'sissy, girly' activities are very frequently more difficult than 'tough, manly' activities, but try telling the boys that- or a movie audience. No matter how many big-budget and/or 'true story' movies are made wherein football is a metaphor for life or boxing is an affirmation of the greatness of the human spirit, even the most fascinating stories about sports like gymnastics or figure skating are strictly television movie-of-the-week fodder. In this atmosphere, you cannot make a cheerleading movie serious. You have to make it a joke. The smart folks behind Bring It On, though, realized that if they could strike a certain balance they could fulfill expectations but also get their point across. So they filled their flick with cute, peppy girls like Kirsten Dunst- always a delight, and well-cast here as a golden girl with a conscience- and snappy, irreverent jokes. They have a PG-13 locker room scene and a bikini carwash. They also have broken bones and high stress- very real factors in the lives of competitive cheerleaders. The squad is co-ed, and we get to know two of these curious, maligned creatures commonly known as male cheerleaders. One of them *is* gay- and an extremely well-adjusted, likable and "non-faggy" one, at that. The other is straight, and as horny as any frat boy in Animal House. We also have a tough girl named Missy transferring from L.A., along with her cute brother Cliff and the news that the Toro squad's cheers are not "100% original", as they had believed. Unfortunately for Kirsten's character Torrance and her Rancho Carne Toros, their ex-captain stole all their prize-winning routines from an East Compton squad (which are perhaps overly rude, even given the circumstances), that will be going to Nationals for the first time. So what's a cheerleading squad to do, except experience various pratfalls on the way to coming up with their own routine and competing and learning something about valuing your own strengths? It's better than it sounds, surprisingly- and refreshingly- enough. As for macho posturing at sports movies, the fact that this was a sueprise hit and 'Sugar and Spice' was not might just be a sign that there are audiences too smart to believe that any movie about female athletes must automatically be completely silly. What a surprising- and refreshing- change.