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ACTOR
Sharon CunetaHilda KoronelAngel AquinoEric Quizon
DIRECTOR
Mark Meily
SYNOPSICS
Crying Ladies (2003) is a Filipino,Mandarin,English,Tagalog movie. Mark Meily has directed this movie. Sharon Cuneta,Hilda Koronel,Angel Aquino,Eric Quizon are the starring of this movie. It was released in 2003. Crying Ladies (2003) is considered one of the best Comedy,Drama movie in India and around the world.
A whimsical comedy about three women who cry at funerals, professionally.
Crying Ladies (2003) Trailers
Same Actors
Same Director
Crying Ladies (2003) Reviews
laugh,cry with the crying ladies
this is a film that is made me love Sharon Cuneta, i really hated her films for cheesy lines, soundtracks and other crap but this is a cut above the rest. it is the best film of Sharon Cuneta since "Madrasta". she deserves to win the best actress award. even though there are some technical errors on the film, the story still makes it a real screen gem. we hope to see more films like this. it shows the real situation of how Filipinos live and how they cope up with poverty and how they will prove their love for their love ones. this is a really good movie and star cinema craps can't reach the quality of this film. we just hope to see more films like this really "Pinoy" and realistic film in the future
A Nice Touch
Crying Ladies is a warm film that makes you think and wonder about the little things in life. Family, friends and material things that are thought of to be so important but are really secondary. This is about the determined Stella from the old part of the city, trying to provide for herself and her son but also battling to keep him at the same time. For this, she gets her trio together as they become sought after to provide the old-style crying act for a Chinatown wake. The acting is superb and actress Sharon Cuneta's role as Stella shows the versatility that Cuneta has always been known for. From her famous drama roles to silly comedies, she can do it. The women joining her in the leading characters are also a great line-up with another screen icon in Hilda Koronel and Angel Aquino, who is not in the name calibre of Cuneta and Koronel, but is a pleasant touch to the trio while playing the role of naive Choleng. This film has a great formula, a warm story everybody could relate to, interesting technology and cinematography (this was groundbreaking for Philippines movies) and a cast that were perfect for their roles and for working together. Crying Ladies is also a good look at the unique qualities of the Philippines and it reveals the mini community of Chinese and Indian people and because of this, it shows how Stella, Rhoda and Choleng represent the joie de vivre and Latin passion of Filipinos and how hispanic the culture and country is (with American-style everyday influences) while being located right in the asia/pacific ocean region. Crying Ladies was an entry to be an Oscar Foreign Film nominee, but did not make the final five films (4 or the 5 nominees were from Europe). However, it wouldn't have been a surprise if it did stand beside the Best Foreign nominees such as The Sea Inside from Spain. This film should be used as a mark for Philippine cinema to look at when making future movies.
simple yet spunky
Although it's not a masterpiece of any sort, "Crying Ladies" deserves the Metro Manila Film Festival award for Best Picture, as compared to its fellow nominees. It had a simple plot, there were a few actors, there was not much distractions, editing was well done, the music was not overused, and the cinematography was impressive. The plot revolves around three characters, one funeral, and a string of realizations. Sharon Cuneta did well as the main character, Angel Aquino did fine as well. However notable are Hilda Koronel and Eric Quizon, who also won acting awards in the MMFF. Hilda Koronel, especially, did a fantastic job, and she her character was solid, and witty. Eric Quizon had a grayer area in his character, but he had some moments where his character got separated and distinguished from his usual roles. Editing was good, while cinematography was impressive. Philippine cinema has never been this good. The soundtrack is good, and spunky, especially "Magbago Ka." Not a masterpiece and not exactly an art film, if you're watching MMFF films, this should be on top of your list. This film is witty, spunky, and yet not at all preachy; a good, light-hearted movie. 9/10
Way Overrated. I just don't get it why it won awards.
My friends and I viewed this a week ago with breathless anticipation. Receiving accolades from various award giving bodies in Manila and handpicked to represent the Philippines in this year's Oscar, we expected this film to follow the ranks of some of the best Filipino movie classics that were previously shown abroad. Unfortunately, we were left feeling cheated and disappointed. The Good Points: The production design, cinematography, sound and the technical framework of the film were exceptional. Truly ahead of all the other films currently being produced in the Philippines nowadays. Some aspects of the film's dialogue were funny, especially the interaction of the couple who reside right above Cuneta's apartment. That was just simply hilarious. Koronel's acting was also the best in the film - in fact, I think it was the saving grace of the whole flick. Every time she graced the screen, she was superb, and her Darna stint was funny as well. The Bad Points: Cuneta's acting was lackluster (I still think she can do best in drama films over comedy ones). The insertion of Cuneta ads (i.e. Alaska and McDonalds) was just plain tacky. Also, Cuneta's portrayal of a poor, struggling city lady was unbelievable and unrealistic. She, with her porcelain white skin, looked like she just recently re-bonded and highlighted her hair. She just didn't quite suit this role (to her credit, she's one of the best dramatic actresses in Philippine Cinema). Moreover, I think the film researchers didn't really do their job well. Some of the street scenes were not based on facts. When Cuneta tried to extort money in a passenger bus, almost all gave money, mostly in bills, to support her plight. This doesn't happen at all, much less, in ordinary buses. Secondly, when Cuneta paid her fees in the jeepney, nobody attempted to help her pass on the money to the driver. This does not happen at all either. Jeepney passengers, as protocol, almost reflexively, will extend their arms to help pass on fees to the driver. For someone who loves watching realism in Philippine Cinema, these scenes will not fail to disappoint. To end, I think this film was vastly overrated. Don't expect too much from this film. However, I'd recommend it for Koronel's acting and some hilarious dialogues that, sadly, only come in spurts. 3/10
Saw this in the Philippines
I saw this movie in Cebu (middle of Philippines) a month ago. I do not understand Tagalog, so I got a whispered translation in the theatre. Even so, the jokes came through, and they were intelligent and fresh, as is the story. It is not a fluff piece, but neither is it not a melodrama. It is a good story about three middle aged women slogging through various crises in their lives, all caught through the lens of a man coping with the death of his father, whose lifetime secrets reveal themselves. The running joke about the waylaid sunglasses, stolen by Sharon Cuneta from Eric Quizon after he forgets them, and how they wind up on the face of the police officer who escort's the funeral procession is pretty funny, as is the story of the final days of Sharon Cuneta's relationship with her soon-to-be-taken-from-her son touching. My advise: see it and enjoy it, it is worth your time.