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Cyborg 2087 (1966)

Cyborg 2087 (1966)

GENRESAction,Drama,Sci-Fi,Thriller
LANGEnglish
ACTOR
Michael RennieKaren SteeleWendell CoreyWarren Stevens
DIRECTOR
Franklin Adreon

SYNOPSICS

Cyborg 2087 (1966) is a English movie. Franklin Adreon has directed this movie. Michael Rennie,Karen Steele,Wendell Corey,Warren Stevens are the starring of this movie. It was released in 1966. Cyborg 2087 (1966) is considered one of the best Action,Drama,Sci-Fi,Thriller movie in India and around the world.

In the future world of the year 2087, freedom of thought is illegal and the thoughts of the world's populations are controlled by the government. A small band of "free thinkers" send a cyborg back in time to the year 1966 to prevent a scientist from making the breakthrough that will eventually lead to the mass thought control of the future. Our time traveler soon discovers he is not alone when government agents from the future try to prevent him from carrying out his mission.

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Cyborg 2087 (1966) Reviews

  • A low budget can be an asset.

    pro_crustes2004-07-02

    Yesterday, I saw the last of the three "Rings" movies. Ho-hum. CGI is great. So is a good book. CGI of a good book is, however, just eye-candy. "Cyborg" is movie that, lacking money and computer graphics, was forced to tell a story. Michael Rennie (you know him as "Klaatu") is a man/machine from the future, come back to correct a few mistakes. His "high" tech looks a bit like your grand-dad's ham radio did about the same time this movie was made, but so what? Garth (Rennie) isn't here to show us ray guns or cell phones. (Who knows? Maybe his gizmos are all camouflaged to resemble '60s-era devices.) What he is here for is to undo the damage of some bad decisions (many of which will remind you of "The Terminator's" SkyNet, but you decide yourself if there's a connection). Alas for Garth, if he succeeds, it may have dire consequences for him personally. That fact gives him a poignant nobility that many films, then and now, could use, but lack. Time-travel stories often rely on that kind of wrinkle for their drama, and I think that's an inherent weakness of the time-travel sub-genre: they all tend to ask the same question. Still, this one asks it well and Rennie's skillful performance leaves you exquisitely uncertain of just what the Right Thing to Do would be, in such a situation as his character finds himself. Yeah, "Rings" was great. But so was this, and they don't make 'em like this one anymore

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  • Origin of The Terminator

    clore-22001-02-14

    Let's see... Michael Rennie plays a cyborg. He is sent back in time by rebels to prevent a scientist from inventing a device that will have an impact upon the future by enslaving mankind. In turn, Rennie is being chased by agents from the future who are intent that he does not complete his mission. A woman in the present day begins to fall for Rennie. Sounds awful familiar to me. The music, as noted by the other comment, will have you rolling, it's from Saturday morning cartoons, you're almost expecting that Hanna-Barbera sound effect when someone starts running. Still, the movie has an above average cast for its low-budget, Michael Rennie, Karen Steele, Eduard Franz (the Jonathan Drake of "Four Skulls of Jonathan Drake"), Harry Carey, Jr., Warren Stevens (Forbidden Planet), Wendell Corey, and even future M*A*S*H star and Mrs. Chuck Woolery, Jo Ann Pflug can be glimpsed.

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  • Get the kids back to the theaters!

    kmj-21999-03-30

    Often dismissed as a "quickie" movie using a great deal of television elements, "Cyborg 2087" is a prime example of what Hollywood was trying to do between the late fifties and mid-sixties: get people (especially the kids) away from the television set and back into the movie theaters. This film tried (sometimes successfully) to combine two popular genres of t.v. at the time; westerns and science fiction. Half-human robots, having a "shoot out" in a western town using ray guns to rescue the girl (played by a former "Mouseketeer", no less). Listen for the Paul Dunlap soundtrack, which should be familiar -- it was used for several t.v. shows, movies, and even Hanna Barbara cartoons! Also, check out the "hip lingo" used by the teens.The sad part is to see classically-trained actor Michael Rennie trying to make a living wearing a silver spacesuit after being typecast as a "sci-fi guy" in "The Day The Earth Stood Still".

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  • Fairly absorbing.

    Hey_Sweden2017-12-04

    Michael Rennie of "The Day the Earth Stood Still" fame stars as Garth A7, a cyborg sent by a future civilization back to 1966. His mission is to make sure that the revolutionary "radio-telepathy" technique being engineered by Professor Marx (Eduard Franz, "The Four Skulls of Jonathan Drake") does not come to fruition. The thing is, in the future, this technique will be misused by evil minds and bring out about chaos. Once he is back in the past, Garth gets scientists Carl Zellar (Warren Stevens, "Forbidden Planet") and Sharon Mason (Karen Steele, "Ride Lonesome") to help him out, while being hunted by assassins dubbed "Tracers". If this premise sounds familiar, it should: it was also utilized around this time by Harlan Ellison, as an episode of 'The Outer Limits' titled 'Soldier'. Of course, it would eventually be appropriated again, famously, by James Cameron for "The Terminator". While this ultimately upbeat diversion is nowhere near as atmospheric or grim as Camerons' film, it's certainly a reasonable bit of entertainment. Its obvious low budget and TV movie-like nature will inevitably invite descriptions like "cheesy". It does get positively goofy when, at one point, Zellars' daughter (Sherry Alberoni, "Nightmare Circus") and her friends (including a young John Beck of "Rollerball") groove to some hip tunes while he's trying to perform an operation on Garth. Various people get zapped by Garths' odd weapon, which really does no more than paralyze living things, rather than kill them. The music, while credited to Paul Dunlap, seems to consist of stock cues (such as one memorably used in "Night of the Living Dead"). Franklin Adreon (a TV veteran whose theatrical credits also include stuff like "Panther Girl of the Kongo") directs capably, if not stylishly. The cast gives a straight faced go at this material. Rennie is good as a character committed to being ruthless in pursuit of his goal, yet who might just find some humanity after all. Wendell Corey ("Rear Window") is a sheriff, Harry Carey Jr. ("3 Godfathers") a pesky reporter, Adam Roarke ("Hells Angels on Wheels") Corey's deputy, and Jo Ann Pflug ("MASH") appears fleetingly at the outset as one of the people sending Garth on his way. Lightweight and unmemorable stuff, yet it does show one a decent enough time, and should be interesting to see for fans of cult science-fiction. Six out of 10.

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  • Before Steve Austin, Before Jean Claude Van Damme

    redbeard_nv2001-12-30

    The term, cyborg, meaning cybernetic organism, relates to a human enhanced with mechanical parts, often robotic in nature. Thus gave us the first glimpse into this genre. Albeit low budget (I mean, instrumentation from the future labeled with Dymo Label Maker Tapes?) and featuring actors who were at their peak not just a few short years before, including Michael Rennie, Klaatu from "The Day The Earth Stood Still" or "The Keeper" from "Lost In Space", or Warren Stevens, Doc Ostrow from "Forbidden Planet ("Monsters! Monsters from the ID!") and throwing the tem-oral twist of alternative time lines, this cyborg pre-dated "The Six Million Dollar Man" (and Martin Cadin's novel it was based on, "Cyborg"), the Jean Claude Van Damme dystopic future wasteland adventure, even Star Trek: The Next Generation's most relentless enemies, the Borg (sounds Swedish!...sorry. I couldn't resist). Add to that the obvious Terminator references (and people still forget about Harlan Ellison's own legal action against Cameron due to similarities in his Outer Limits scripts "Demon With the Glass Hand" and "Soldier") and you have a low-budget oddity that hasn't made the rounds in the post-midnight TV info-mercial circuit in years, being swept aside by other B-Movie kings like the Band Brothers' Full Moon Productions or Bert I. Gordon's & Brian Yuzna's Lovecraft micro-epics.

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