SYNOPSICS
Double Happiness (1994) is a English,Cantonese movie. Mina Shum has directed this movie. Sandra Oh,Stephen Chang,Alannah Ong,Donald Fong are the starring of this movie. It was released in 1994. Double Happiness (1994) is considered one of the best Drama,Romance movie in India and around the world.
Twenty-two year old Chinese-Canadian Jade Li comes from a traditional Chinese family, who try to put on the perfect public persona at all cost so as to "save face". One primary part of this persona is prosperity. Jade's father hopes that true financial prosperity will become reality through penny stocks. Because of its instability, Jade's parents don't understand or widely publicize Jade's aspirations to be an actress. Their main want for Jade is to date and marry a nice Chinese boy, a goal for which Jade's extended family also strives as they are always trying to introduce her to Chinese boys. They believe that *the* boy is Andrew, with whom Jade even agrees to go out. But Jade, beyond wanting to be an actress, wishes her family had more western sensibilities. She is attracted to a slightly awkward but persistent Caucasian English graduate student named Mark. Jade has to figure out how to both please her family, who would not approve of her dating a Caucasian, and be true to herself.
Double Happiness (1994) Trailers
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Double Happiness (1994) Reviews
unfortunately unnoticed masterpiece
An under-appreciated film (as many Canadian films are), Double Happiness expresses brilliantly the tightrope one often has to walk between pleasing others and pleasing oneself. Jade Li, portrayed masterfully by neophyte Sandra Oh, must choose between her desires for love and stardom and her desire to please her demanding, suffocating, ultra-traditional Chinese father. Her life complicates when she meets a sweet English major named Mark, played by Callum Keith Rennie, a hidden treasure of an actor; the scenes between Jade and Mark dynamically reflect the most uncertain nature in love, an uncertainty which often makes love all the more worth fighting for. Yet, there is a subtlety in the way writer/director Mina Shum presents Jade's nervous breakdown of a life, a subtlety which craftily creates the effect of slowly drawing the viewer into the spiralling life of Jade. With its powerful, yet simplistic (in the Hal Hartley vein) direction and tremendous performances, Double Happiness stands as a remarkable film which deserves more attention. Pity!
Realistic movie, terrific cast
Double Happiness is a very realistic look at Asian family values and personal values. Sandra Oh as the cheeky Jade Li was excellent. The actor that played her first date Andrew was great too. I was amused at the outcome of this pairing.I was very impressed by Callum Rennie, who played Jade's caucasian boyfriend Mark. There's a quite funny scene between these two that involves a talk about bad clam chowder and "fascist" bouncers. The chemistry/tension between Jade and Mark was great. The rest of the family was great too. Truly a must see movie about relationships.
Marigold of a movie
This was a cute, sweet small movie about a Chinese-Canadian woman caught between her dreams and her father's expectations. Complaints about the film center on what some see as the director's one-sided depiction of the anti-assimilation viewpoint. Jade's father is so concerned that his children live within the constricts of traditional Chinese culture that he cuts off contact with them entirely if they stray. But Mina Shum (the director) never claims that his rigidity is the rule; the story is about how Jade deals with the specific situation, and it makes no claim that her situation is pervasive. Other Asian characters have different levels of acceptance of Western openness: Jade's mother, while not openly defying her husband, maintains contact with her son whom his father has cut off completely. So "Double Happiness" isn't an anti-Asian traditionalism screed, as some have claimed, neither is it an Everywoman story of freedom as some seem to want it to be. It's simply Jade's story about choosing between her dreams and the man she's falling in love with against her father's uncompromising worldview. Mechanically, the movie is good if not a masterpiece. The performances are excellent. Sandra Oh is charged with almost singlehandedly winning over the viewer, and she's completely up to the challenge. All performances are (as far as I can tell anyway) wonderfully authentic. This was Callum Keith Rennie's first major role, and he's as awkward, sweet, and appealing as ever. The interstitial scenes of characters speaking to the camera are an interesting experiment--a good tool for revealing character, they nevertheless are sometimes jarring. Overall, the film is like a compact colorful flower: it won't dominate the landscape but it richly awards the lucky soul whose attention it captures.
Interesting and funny glimpse of Asian life in North America
This movie was an interesting look into the life of a Chinese family in North America. I think the characters were written and portrayed in a believable, sensitive manner. The subtle, reserved, underplaying of the parents I think is sometimes mistaken as one-dimensionality, but really reflects a traditional and reserved nature that they were trying to maintain. Their expectations for their now westernized children, and the dilemmas that arise, are also evidence of that. It is not a case of right versus wrong, but novel versus traditional. As for the conflict of introducing Jade Li's main love interest as a Caucasian, I also don't believe that was intended to pit white people as good versus Asian people as bad. I think that the juxtaposition of the two lifestyles presents Jade's two major conflicts: her desire to lead a more Western life, with freedom to make many non-traditional choices, and her feelings of love, respect, and loyalty toward her traditional parents, whom she would not want to bring shame or betrayal. A life with one of the Asian suitors would symbolize her choice to remain under the guidelines of restraint her heritage suggests and their families demand. One aspect I feel especially overlooked about this film dealt with Jade's big audition with the woman from Hong Kong. While Jade was brought up in a Chinese home in North America, she could understand and speak some Cantonese, but had many Western interests. But because she could not read Cantonese, this duality did not bring the success one might hope having the benefits of two cultures would bring. As the child of an Asian father and American mother (but raised almost entirely American, I'll admit), I found that scene very interesting. I think this film was wonderful, and that one need not have a particular interest in Asian families to appreciate the family and social relationships, conflicts, and hopes portrayed in Double Happiness.
It touched a nerve.
Several parts of this movie really spoke to me. As a Thai-American in a similar situation to Jade's, I laughed many times and nearly cried several times at scenes in this movie because of how close it hit home for myself. I disagree with other user's comments that the film is too myopic. This movie obviously deals with very personal feelings, and I would only expect Mina Shum to create a film reflecting her point of view. To make it far-reaching and covering several other viewpoints would dilute the film's vision and make it seem less honest and direct than it does.