Gulliver's Travels (1939) Reviews

• Beloved Early Animation Classic

  overseer-32003-09-28

  Just throw any negative comments you read here from IMD comment contributors in the wastebasket. I don't know what they were smoking. Gulliver's Travels is beautiful! It is just as beautiful now as it was 60-plus years ago when it premiered, perhaps even moreso with the wonderful restoration we have now on DVD. This film doesn't have to compete with anything by Disney, and I don't see how this story has anything to do with Snow White. It stands on its own two feet as a captivating and charming classic story that children can enjoy over and over again, made when animation was really animation, and all the cells were handpainted by artists, instead of slopped together on boring, cookie-cutter computer models. The storyline is perfect and has an anti-war undertone that was a bit daring for its time, made on the eve of World War Two. Even Disney's Snow White didn't have the guts to do that! So kudos to the Fleischer Brothers! The songs are all wonderful and the soundtrack sounds marvellously enhanced on the new DVD version. "We're All Together Now", "All's Well", "It's A Hap Hap Happy Day", "Bluebirds In The Moonlight", and especially the haunting "Come Home Again, Sailor Man" are all perfect and flow into the action of the film, instead of being placed there with no relevance just to try and get a hit song. These sheet music pieces always sell well on Ebay, highlighting the fact quite clearly that this is one of the most beloved animation movies of all time.

• WONDERFUL!!!

  Katmiss2001-05-18

  "Gulliver's Travels" is one of the great animated features of its' time. It was made as a response to Disney's wildly successful "Snow White and the Seven Dwarfs". Today, "Gulliver's Travels" is not accorded the same respect as the Disney pictures and is pretty much forgotten. Why? This is as good as "Snow White". After all, it was made by the Fleischer brothers, contemporaries of animation and in my opinion, geniuses. They made the 17 classic Superman shorts that still spellbind people today, including myself. They made those classic 20 minute plus Popeye shorts. Betty Boop, Grampy, Screen Songs, Little Lulu, Gabby (spawned from this feature) the list goes on. Famous Studios was one of the most prolific animation studios of its' time. While purists may complain that it doesn't stay faithful to the book, I think the changes are appropriate. What kid would understand Swift's social satire? What adult would really want to see a wholly faithful cartoon of the book. Besides, we have the 1996 epic film with Ted Danson to go to with accuracy. The songs are surprisingly great considering how some can be overkill in a film like this. The characters are endearing and the story is solid and involving. What more could you ask for? **** out of 4 stars

• Solid gold, from animation's Golden Age.

  Hup234!2001-08-29

  Talk about unforgettable music! I saw "Gulliver's Travels" forty years ago on Saturday-afternoon television, and I can STILL hum much of the Ralph Rainger/Leo Robin score, especially "Faithful", "Forever", "Faithful Forever", "We're All Together Now", and "Orchids in the Moonlight". What a songwriting team they were. It's impossible to not compare "Gulliver's Travels", and its songs, to today's animated product, and it's sad when I try. The knack seems to be lost in all regards. Lanny Ross and Jessica Dragonette, top radio stars of the period, actually enunciate the lyrics, and in tune, and with varying dynamics. What a relief to remember a time when that was mandatory in film music. And we can also luxuriate in the well-drawn visuals, which allows the audience time to wallow in the rich colors and narrative (without the slam-bang short-attention-span cutting that sea-sickened me during "Atlantis" and similar Y2K material). Give the youngsters a taste of the Golden Age of animation, songwriting and storytelling with "Gulliver's Travels", and take the time to enjoy it with them. Highest recommendation. ****

• Forget the put downs....I dig it !!

  tmpj2005-03-16

  I've seen this many times over the years, and it's one of my absolute favorites. Some folks seem to think the Fleischers have to take a back seat to Disney. NOT !! They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity. Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye. In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s). "Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters. I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream. Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked. I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".

• Swift's Satire Becomes Children's Fantasy

  Ron Oliver2005-05-27

  Shipwrecked by a storm in 1699, Dr. Lemuel GULLIVER'S TRAVELS would bring him to a strange island inhabited by tiny little people. While not one of the great animated features (it was only the second released in the United States, Disney's SNOW WHITE AND THE SEVEN Dwarfs in 1937 being the first) GULLIVER'S TRAVELS is an enjoyable film which should bring pleasure to uncritical viewers. Technically it is well made, with Technicolor animation of a generally high quality. The movie's main drawback is that none of the characters really have any 'heart' - they don't come alive on the screen in the way Jiminy Cricket would a year later in PINOCCHIO. However, it is ultimately unfair to compare the Fleischer Studio output with that of Disney. Max & Dave Fleischer had their own star to follow; their contribution - and it would be a considerable one - would be in the realm of the one-reel cartoon. With their POPEYE and BETTY BOOP series they created alternate realities as viable as any produced by other cartoon studios. GULLIVER was their first foray into feature length animation (HOPPITY GOES TO TOWN would be their second in 1941), and eventually they would expend their energies again on the cartoon short subject, including the highly acclaimed SUPERMAN series which would commence in 1941. GULLIVER'S TRAVELS is of course based on the classic novel by Jonathan Swift (with a little nod to Shakespeare's Romeo and Juliet) focusing only on the section dealing with the minuscule kingdoms of Lilliput and Blefuscu. In place of Swift's irony is a great deal of slapstick, but such is the nature of the animated cartoon. The personalities of the royal youngsters, one from each of the rival nations, is left completely unexplored and their romantics is at the expense of more screen time with Gulliver, as are the exploits of the three incompetent Blefuscu spies. The film's main character is actually night watchman Gabby, who isn't very appealing (yet not too repellent to spawn a few further cartoons featuring his exploits). The film is at its best when it de-emphasizes plot for the visuals, as in the binding & transportation of the giant, or when the rotoscoped Gulliver tows the entire hostile fleet from Blefuscu up onto the beach by the ships' anchor chains. Jack Mercer, famous as the voice of Popeye, here speaks for silly King Little. Pinto Colvig (best known as the original voice of Disney's Goofy) provides the vocals for Gabby. Gulliver is voiced by Sam Parker, while Jessica Dragonette & Lanny Ross sing for Princess Glory and Prince David. The film has some pleasant songs including 'All's Well' and the Oscar nominated 'It's A Hap Hap Happy Day.' The two national anthems, 'Faithful' & 'Forever,' are fine romantic tunes which deserve to be rediscovered. It is unfortunate that the Fleischers' remarkable Stereoptical Process, which could produce beautiful 3-D effects, is only glimpsed for a few moments during the opening credits.