Jiu ceng yao ta (2015)

Jiu ceng yao ta (2015)

Mark ChaoJin ChenLi FengChen Li
Chuan Lu


Jiu ceng yao ta (2015) is a Mandarin movie. Chuan Lu has directed this movie. Mark Chao,Jin Chen,Li Feng,Chen Li are the starring of this movie. It was released in 2015. Jiu ceng yao ta (2015) is considered one of the best Action,Adventure,Drama,Fantasy movie in India and around the world.

The Mongolian Border, 1979: Massive fossils of unknown creatures are discovered in the mountains, and the research team assigned to excavate the remains includes acclaimed Professor Yang (Wang Qingxiang), Hu Bayi (Mark Chao), and Ping (Yao Chen), the professor's beautiful daughter. When a freak explosion, lethal bat attack, and fall to the mountain's floor leaves only a handful of survivors, the small remaining band uncovers a mythic Cyclopean Temple - and an Interdimensional Portal that looses a pack of ravenous Hell-Beasts, leaving only Hu alive. New York City, Present Day: Now living a quiet but tormented life as a librarian, Hu studies demonology manuscripts to find answers for that fateful day. Little does he know that Professor Yang has just been found wandering the mountains thousands of miles from where he supposedly died; a young woman with amnesia was just discovered in a recently-uncovered tomb; and a Northern Chinese mining town has just been ravaged by giant, unknown ...


Jiu ceng yao ta (2015) Reviews

  • Good creature effects n good action but marred by confusing story n pg13 kills.


    The film starts well but slows down during the middle act. Also it moves between flashbacks which may confuse some viewers. The effects of the creatures and action were good but most of the things were offscreen n the kills were mild. Mayb the makers were happy with pg13. I have been a lil generous with a 7 cos of the creature effects n Yao Chen's luscious lips.

  • Classic case of style over substance with modern eye candy


    This movie is a prime example on how a few good individual parts alone can't make a great movie. It has arguably one of the better animations from Chinese films, gorgeous cinematography and intriguing occult mystery premise, yet the plot is thin and superficial. If a comparison could be made, the movie resembles video game, it literally jumps through outlandishly eye-catching set pieces and while they might look attractive, the working narrative is extremely disjointed. Story mainly follows Hu Bayi as a member of archaeology team sent to uncover ancient secrets. He then meets with Yang Ping, the love interest and soon enough become the reason he volunteers for more dangerous mission. Eventually, the team finds creatures, relics, disasters and all sorts of oddities that the movie barely explains. Characters are ridiculously plain. Hu Bayi himself mostly follows order and narrates the plot while the heroine Yang Ping is depicted as mysterious female. These personalities are lacking depth, especially when the movie introduces a couple of comic reliefs that don't matter much for story. The plot has the same problems from Jackie Chan's The Myth from years ago, it's too flamboyant for the sake of fantasy appeal that it doesn't have much continuity or clarity. It merely throws around some over-the-top fantasy gibberish to usher in new shiny sequences. Fortunately, it does have some flashy spectacles. There's a clear investment on the visual presentation. The scenes are gorgeous, be it may the blue horizon from snow mountain or the trek across the desert. It's set in the right era with good nods to ancient trinkets and modern vibe, almost looking like The Mummy franchise for costume and design. Cinematography takes full advantage of the exotic location, the lightning, buildings and even details like banners or furniture add to the atmosphere. Special effect is top notch, there are a few moments when the cameras pan to the beasts and you can see the fur waving around in the wind or how the chains rattle on their neck. It's a definite improvement from stiff CG many Chinese movies used even in last year. There's a bit of imperfection with the editing and practical effect, but when the overall scene looks so inviting, it's entirely forgivable. In the end Chronicles of the Ghostly Tribe will leave audience with many aesthetically pleasing stages and also unsatisfied feeling on the story.

  • Atmosphere, pace and special effects compensate for a predictable story and average acting performances


    Chronicles of the Ghostly Tribe is a fantasy movie based upon Tianxia Bachang's novels about a nurse and a soldier that team up to raid tombs. It's interesting to note that another movie about the novels entitled Mojin: The Lost Legend was released less than three months after this movie. There are actually two different production companies. One owns the rights for the first few novels, the other for the more recent novels. That's why both movies aren't directly connected and even slightly contradictory at times. This movie here focuses on the first novel and shows us how the two main characters actually meet. Many contemporary Chinese fantasy movies suffer from terrible special effects that look extremely artificial and wooden. This isn't the case for Chronicles of the Ghostly Tribe. The action sequences are captivating, the costumes, landscapes and relics look stunning and even the monsters look rather scary. The movie has a very strong introduction that develops a mysterious atmosphere that makes me think of Indiane Jones or Tomb Raider video games. Our two main characters discover the remnants of a mysterious and dangerous civilization in an ancient tunnel system in northern China. It's quite gripping to watch our main characters discover creepy skeletons, face aggressive butterflies and run away from a massive avalanche in a very fast-paced way. The movie loses some significant momentum after these opening sequences. The story shifts several years forward multiple times which is slightly confusing. The story also gets quite predictable. Some terrifying monsters related to the mysterious civilization have escaped and attack an oil town in a desert. Our main character will go on the mission to find a mysterious professor, fight the monsters and prevent the evil ancient civilization to break its curse and enslave mankind. The last third of the movie quickens up the pace a little bit. The fight scenes in the oil town are gripping and the clashes between the ancient civilization and those who accompany our protagonist are entertaining, intense and include a few minor twists. The conclusion itself is somewhat disappointing though because several questions are left unanswered. Since the movie is based upon a novel that had numerous sequels, it seems probable that there will be more movies about this story line in the future. If you want to watch a single movie with a coherent story line from the introduction to the conclusion, you shouldn't watch this film in the first place. While the movie has a mysterious atmosphere, a solid pace and great special effects, it's lacking in the acting department. Mark Chao's acting performance as the protagonist is average at best as it doesn't leave a deeper impression. Chen Yao as female lead isn't quite convincing even though her character has more depth. The romantic relationship between the two characters happens so quickly and unexpectedly that it's not credible. The supporting actors and actresses are doing a solid job but there isn't one performance that really stands out. Despite the movie's flaws concerning the acting performances and a story that is too closely inspired by numerous other archaeological fantasy stories, Chronicles of the Ghostly Tribe is still an overall entertaining and convincing film thanks to its atmosphere, pace and special effects. The film should get more praise than it gets. It might not be the most innovative genre movie but it's clearly more interesting than Hollywood's fantasy reboots in the key of Kong: Skull Island and other shallow flicks.

  • Return to the underworld


    1979 in a distant area near Mongolia, huge monster skulls are discovered. The exploration team finds a way to the ghost temple, where dangerous beings can get through a portal. Not only the big "hell hounds", but also the tiny "fire bats", whose mere touch burns human beings to ashes. Hu Bayi (Mark Chao) survives and reads occult literature to understand better what has happened to the team. The movie continues with the second expedition probably in 1988, not "present day" as many reviewers wrote mistakenly, because we see a 1985 calendar and then get a subtitle '3 years later'. Also Hu Bayi is not an old man yet. Anyhow, he meets his lost love Ping, who now calls herself Shirley and pretends not to know him. The second expedition takes them to a destroyed desert town, and then the monsters reappear. What will happen when the portal gets opened again? This fantasy movie is a bit complicated, not telling the events chronologically, but jumping between 1979, 1985 and 1988 (?). It's not too easy on the audience, but it's worth paying attention. The 3D effects work well, especially in the cave scenes when you really feel you can look down into the depths. I'm not entirely satisfied with the monsters, as the jumps don't look real. For the weight they must have, they jump much too high, looks a bit like rubber balls. Anyhow, the story satisfies, and the effects are still pretty good apart from minor grudges.

  • Much more style over substance


    So...I watched 60 Minutes last night about the Chinese market for big budget movies. This movie popped up for a 10 second example of "monster" movies finally being made in and available to the Chinese public. While the visual aspect of this movie is up there with any big budget American film of this time, the story is unbelievably bad (really bad). It is obvious that millions were spent on this film but they could not seem to be able to spend $500 on a script. I do believe it is worth watching for the CGI eye candy and the acting isn't half bad, but WOW, they still have a way to go as far as story goes. This is like Transformers 4 on steroids with a worse story (if that is possible). It will be interesting to see how this Chinese/US cinema relationship takes us. Hopefully this us just the start of something a bit (much?) better. I also have to admit that I liked the use of minimal blood and no bad language and still have an entertaining movie. This shows you don't have to have heads chopped off and the F bomb every 30 seconds to entertain people. This is one aspect of the new Chinese "blockbuster" style movies that I do like.


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