La maison sous les arbres (1971) Reviews

• Fairly interesting French thriller delivered in a minor key

  Red-Barracuda2015-01-02

  It should be said from the outset that the title Death Scream is not really very appropriate in describing this film. It's a much more low-key thriller than that pulpy title suggests. It was directed by the French film-maker René Clément, who had made a name for himself with Purple Noon (1960). It seems that the success with that film – the first screen version of Patricia Highsmith's character Ripley – led him to be called the French Hitchcock and resulted in him making a series of thrillers from then up until his final film in 1975. It seems the critics weren't very kind about his latter films, an opinion I disagree with. His final film Wanted: Babysitter (1975) is a very under-rated and effective film, while Death Scream is another that can hardly be described as terrible either. In fairness, it's the least successful Clément film I have seen but it still has something to offer. It's an English language French movie starring Faye Dunaway and Frank Langella. They play an American married couple living in Paris. They are in the midst of martial problems; he is highly secretive, while she is going through a nervous breakdown. To complicate matters, Langella is an industrial spy who retires from his job to the annoyance of his paymasters. Meanwhile, Dunaway's fragile psychological temperament leads to various problems, culminating with the couple's children mysteriously disappearing while out with her in the city. All the time in the background, there is talk of an enigmatic group called 'the organisation' who threatens the family. It's not the most dynamic of thrillers in truth and it is a little slow-paced. It could also have ramped up the suspense a bit as well. But Dunaway and Langella are good actors and the Parisian setting does offer an attractive backdrop to events. The story has just enough intrigue to keep the viewer engaged and it ultimately amounts to a good enough film, if a relatively minor one.

• "La Maison sous les arbres": an interesting, but restrained little thriller

  DeuceWild_772017-09-07

  Atmospheric thriller / drama directed by René Clément, based on the novel "The Children Are Gone" by Arthur Cavanaugh, French produced and set in Paris with two major American stars, Faye Dunaway & Frank Langella plus the Canadian Barbara Parkins, it tells a story of Phillipe & Jill, an American couple with 2 kids, living in "the City of Light" for two years facing a marital crisis due to Phillipe's ultimately strange behavior & Jill's psychological problems. When their 8 years old daughter, Cathy & 4 years old son, Patrick are apparently kidnapped, Jill starts to uncover what's behind the mysteriously disappearance that might be related to her taciturn husband, Phillipe... Slow paced & dreary, but effective on the thrills, "The Deadly Trap" (original title: "La Maison sous les arbres") keeps the viewer guessing, even if the end result was not that exciting and a bit too predictable. Some major editing errors, the low budget & a "made for TV" look to it, prevented the movie to became a cult classic of the genre like the moody & similar paced, "Don't Look Now" directed by Nicolas Roeg that was released about 2 years later, but it had its moments of skillful direction and nice shots of a gloomy Paris during winter time. Faye Dunaway is very good in the lead role, from a devoted spouse & caring mother to a desperate woman fighting against her own psychological problems to remain lucid enough to find her children. Miss Dunaway's committed performance is a stand-out in the movie, elevating the final product to a "released to theaters" quality. A thirty-something Frank Langella, here some years before his iconic role in "Dracula", delivers one of his first experiences handling a quirky, odd, but somewhat darkly charming character, a kind of role he would be typecast for almost his entire career. In short, "The Deadly Trap" isn't for everyone, but for fans of low-key psychological thrillers, the 70's & especially, the actress Faye Dunaway, it worth a watch.

• A very good thriller

  JasparLamarCrabb2013-04-28

  It takes a while to get going, but this René Clément thriller ends up being very satisfying. Faye Dunaway & Frank Langella are ex-pats living in Paris (he's a book editor) who find their life together crumbling as they grow more & more estranged. Dunaway appears to be having a nervous breakdown, forgetting everything from buying a dress twice to where her children are. When the children turn up missing, Clément's film takes off. Nothing in the first half prepares you for the second half, but every piece falls into place thanks to the clever script (by Eleanor Perry & Hollywood journeyman Sidney Buchman). Dunaway's neurotic acting style is a perfect fit for her role (she's clearly on the brink) and Langella is fine as her workaholic husband. Barbara Parkins plays the couple's extraordinarily helpful neighbor. A creepy, under-appreciated film.

• Je Ne Comprends Pas...

  Coventry2008-05-12

  The one-line summary of this review is French, translates itself as "I don't understand" and actually refers to several aspects of this film… I read several articles where acclaimed critics and fellow directors reward Réné Clément with the title of "the French Hitchcock". I sincerely hope they didn't base this recognition on seeing "The Deadly Trap" and, if so, I don't understand. I also don't understand half of what's going on this movie and I most certainly don't understand (or better yet: refuse to accept) how anyone dares to deliver such a completely incoherent and deceptively pretentious mess of a film! "The Deadly Trap" revolves on – believe it or not – absolutely NOTHING! At least until very late into the second half of the film, it doesn't. Faye Dunaway and Frank Langella star as a married couple living in Paris with their two children. He behaves increasingly suspicious and secretive regarding his employment (and I do mean secretive, as we never get told what exactly he does for a living) and she portrays the good housewife slowly but surely descending in a downwards spiral of paranoia and insanity. Jill continuously fears that the children will become the target of malignant individuals, but Philippe hardly ever listens to a word she's saying. Then, of course, the children do get kidnapped by an organization that wants 'something' from Philippe in exchange for the children's lives. Even during this crucial point in the movie, we still haven't got a clue what it is they want (except for 'information') and the supposedly worldwide and dangerous organization imprisons the children in a nearby house with only one female babysitter to guard them. That's just totally retarded. Réné Clément's direction is flat and uninspired and he doesn't even make full use of the wondrously picturesque Parisian filming locations. The original French title means "The House under the Trees" and refers to the organization's hideout, but the beautiful house only features in the film for approximately 2,5 minutes. Faye Dunaway, at the top of her ravishing beauty around that time, is the only positive note I can bring myself to write about this unimaginably disappointing movie. She's quite convincing in her role, even though she probably didn't know what it was about, neither.

• This house is coming apart at every nail.

  dbdumonteil2005-10-25

  From 1959 onwards (and with the success of "purple noon" (Ripley's first version),Clement wanted to become the French Hitchcock.He followed the rules quite well with the follow-up "les félins" then everything went wrong.After casting Jane Fonda ("les félins") he hired American stars for every "thriller" he made:Bronson,Ryan,Vaughn and here Dunaway.Why American stars by the way?They were all dubbed (with the exception of Fonda)for everybody cannot be Jodie Foster for that matter. "La maison sous les arbres" is a would be suspenseful movie with heavy pretensions:a big set-up,where poor Dunaway is caught like a fly in a cobweb :her children are kidnapped and "they "keep them in... (well,check the title;it means "the house under the trees") No cigar ,and not even close.