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Lost in Paris (2016)

Lost in Paris (2016)

LANGFrench
ACTOR
Emmanuelle Riva Pierre Richard Fiona Gordon
DIRECTOR
Mia Hansen-Løve

SYNOPSICS

Lost in Paris (2016) is a French movie. Mia Hansen-Løve has directed this movie. Emmanuelle Riva, Pierre Richard, Fiona Gordon are the starring of this movie. It was released in 2016. Lost in Paris (2016) is considered one of the best movie in India and around the world.

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Lost in Paris (2016) Reviews

  • Paris, the vagrant and the Canadian spinster.

    guy-bellinger2017-04-16

    Comedy has many faces (verbal, farcical, deadpan, regressive, good- natured, satiric, nonsensical and more..., certain forms of humor overlapping each other in the same work) and I love them all. But I need to recognize I have a soft spot for a very special kind of "make'em laugh" movies, those engineered by Tati, Etaix, Suleiman, Iosseliani and their likes, among whom Abel & Gordon, the co-directors, co-writers, co- producers and co-stars of "Lost in Paris". Like the former mentioned, the Belgian clown and his Canadian-born partner (Dominique Abel & Fiona Gordon have been partners since the 1980s) are not content to tread the usual paths of "funny movies", they manage on the contrary to create an offbeat universe of their own which they inhabit in a highly unusual way. Whether in "L'Iceberg", "Rumba", "The Fairy" or the present "Lost in Paris", they form an improbable couple, each - and in their own way - out of synch with their physical and social environment. In their last opus, Dominique Abel is Dom, a happy-go-lucky homeless guy who has pitched his tent on an artificial island in the middle of the River Seine. A distant cousin of Chaplin's eternal tramp, Dom equates poverty with liberty: he eats exclusively the food of the nearby luxury restaurant (yes, picked up from its garbage cans, but still!), he smokes the best cigarette brands (okay, just butts gathered from the sidewalk, but still!), the lot. And as is the case for Charlie, poverty does not make him an angel : although never rotten to the core, Dom can be selfish, disrespectful or unpleasant. As for Fiona Gordon, she plays an ageless Canadian librarian from the Far North (where it is not recommended to open doors to the outside, the object of two hilarious gags). After landing in Paris pack on back, events beyond her control soon cause her to be stranded alone in the big city. The helpless uptight spinster will of course be taken care of by Dom, but, as can be guessed, in a very singular manner. Such an odd pairing cannot but generate lots of funny unexpected situations of which the characters get out through gags of all kinds, mainly sight or poetical comic effects. An excellent additional idea makes "Lost in Paris" even better than Abel & Gordon's first three efforts, namely the choice of Emmanuelle Riva, the famous actress ("Hiroshima mon amour", "Thérèse Desqueyroux", "Amour"), as Fiona's aunt. Known for her grave, intellectual, dramatic roles, Riva was also, unnoticed by those who did not mix with her in real life, a very cheerful person who hated taking herself too seriously. Who could then play eccentric old Martha better than her? The answer is obvious : nobody else..., but someone had to think of it! Also noteworthy is the participation of Pierre Richard, as Riva's old flame and dance partner. They have a delicious scene together where, sitting on a bench in a cemetery, they merrily allow their legs and feet to follow in step with a happy music of their golden years. If you have nothing against imagination, fantasy and unusual gags (which I made a point of not describing not to spoil your pleasure of discovering them), this charming extravaganza should normally delight you as much as it did me. It is at least the worst thing I wish for you.

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  • One of he funniest movies in a long time

    kkroger-422-6924792017-07-08

    This is one of the funniest movies I've seen in a long time. I loved the slapstick and the facial expressions and postures of the two main characters. They were perfect together. One delightful scene was when the character Martha and her former lover dance while sitting on a bench, and all you see is their feet moving to delightful music. Ditto for the uproariously funny dance scene between Fiona and Don at Maxim's. The music "Swimming Song" by Loudon Wainwright III was delightful and accompanied the action so well! I loved the deadpan responses of many of the French people that Fiona and Dom came into contact with. Almost every scene was hysterically funny. I had to see it twice. The second time was even better.

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  • Go With the Flow.....

    thx-696762017-12-14

    This movie is theater of the absurd. You just have to float along with it and you will chuckle at the ridiculousness of it. It is full of little surprises and the scenery of Paris makes for a great backdrop. I can understand why one person wrote a scathing, one-star review but that person must been expecting something very different. Don't have any expectations with this film, just follow along with the pointless silliness of it and you'll enjoy it.

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  • Physical and visual stroke of comedy

    paul-allaer2017-08-01

    "Lost In Paris (2016 release from France/Belgium; 83 min. original title "Paris pieds nus") brings the story of Fiona and Dom. As the movie opens, Fiona gets a letter from her 88 yr. old aunt Martha, who's lived in Paris for decades but now cries out for help. Fiona does not hesitate, says goodbye to her Canadian village in the snowy mountains, and off she goes. When she gets to Paris, her aunt Martha is not home, forcing Fiona onto the streets and into all sorts if (mis)adventures. In a parallel story, we get to know Dom, a homeless guy who lives in a small tent on the banks of the Seine and finds the backpack that Fiona just lost. That very first night, by chance they meet in a restaurant... To tell you more of the plot would spoil tour viewing experience, you'll just have to see for yourself how it all plays out. First of all, this movie is a labor of love of Fiona Gordon and Dominique Abel, who co-direct, co-produce, co-write and co-star in this movie. Here they bring a series of funny scenes, using a physical and visual kind of humor that is reminiscent of another age (Jacques Tati, of course, and many others), and which has become all but extinct in this day and age. The use of both the Paris Statue of Liberty and the Eiffel Tower is done in a refreshing way. The movie clips by at a surprisingly fast tempo. But in the end it's all about the interplay between Fiona and Dom. The movie opened recently without any pre-release hype or marketing at my local art-house theater here in Cincinnati. I figured this would not be playing very long. The Tuesday early evening screening where I saw this at was attended okay but not great (less than 10 people). But I'll tell you what: almost everyone (including myself) laughed out loud on many occasions, and seemed to enjoy themselves. If you are in the mood for a physical and visual comedy the like of which we rarely get to see anymore, I readily recommend you check out "Lost In Paris", be it in the theater, on VOD or eventually on VD/Blue-ray.

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  • Lots of laughs, good creative fun, not boring big-studio comedy formula

    psny-145442017-08-09

    Refreshing to see this light comedy not from the big studios with their lack of creativity and weightiness. Thoroughly enjoyed. No crazy effects, no big names, no formula, totally creative. We need more of these kinds of movies and less big studio, big name movies. This was an enjoyable night at the movies.

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