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Metoroporisu (2001)

Metoroporisu (2001)

GENRESAnimation,Adventure,Drama,Sci-Fi,Thriller
LANGJapanese,French,German,Italian,Spanish,English,Russian
ACTOR
Toshio FurukawaScott WeingerYuka ImotoKei Kobayashi
DIRECTOR
Rintaro

SYNOPSICS

Metoroporisu (2001) is a Japanese,French,German,Italian,Spanish,English,Russian movie. Rintaro has directed this movie. Toshio Furukawa,Scott Weinger,Yuka Imoto,Kei Kobayashi are the starring of this movie. It was released in 2001. Metoroporisu (2001) is considered one of the best Animation,Adventure,Drama,Sci-Fi,Thriller movie in India and around the world.

Metropolis is a visually stunning, rich, and memorable pleasure. It's contributors have brought us other classics such as Astroboy and Akira. The story takes place in the muti-leveled, fascinating, megalopolis called Metropolis. Metropolis is loosely ruled by Duke Red, who is close to presenting his ultimate work, an advanced AI robot girl named Tima. His son; however, is an opponent of AI and resents Tima. Tima finds herself deep within the labyrinth of Meteoplolis. She befriends the kind son of a police officer and begins exploring her new world. When Duke Red's son separates this new friendship, he puts much more at risk than anyone thought possible.

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Metoroporisu (2001) Reviews

  • In brief: powerful

    ThirdEye-12002-05-06

    In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.

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  • One of my all time favourites

    ExpendableMan2005-01-31

    I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones. Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised. But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work. Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.

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  • A visual feast - though the script has problems

    Wizard-82002-04-30

    I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it. Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie. As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out. The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.

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  • I loved this film!

    lambiepie-22003-01-23

    I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all. The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.

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  • Welcome to Metropolis!

    Lady_Targaryen2007-10-22

    ''Metropolis'' story is set in the future, in a society where humans and robots live together, but has problems with each other. Shunsaku Ban is an investigator who came to Japan to find a criminal named Dr. Laughton. He came with his nephew named Kenichi. They don't know the Metrpolis well, so they hired a Detective robot to guide them. In Metropolis world, artificial intelligence has advanced a great deal and robots are seen everywhere performing many different tasks. But they do not have any of the rights that are granted to human beings,in order not to infringe upon human rights, they are not allowed to have human names nor to travel in the zones without permission. Ban and Kenichi discovers that Dr. Laughton was working for Duke Red, one of the main politics of Metropolis city, in a hidden place, creating a super Robot that resembles Duke Red's daughter once lost called Tima. The place suddenly stays on flames and Tima wakes up during the fire and is saved by Kenichi. Dr. Laughton dies shortly after being rescued by Shunsaku but manages to utter a few words regarding a precious notebook of his, which the detective saves from the flames. The movie is full of conspiracies, and one of the main characters in this plan is Rock, Duke Red's adopted son, who discovers his father's plans and decides to destroy the Robot and to kill Dr. Laughton. Rock is strongly against giving powers to Robots (to be honest he hates Robots in general) and he stays the entire anime trying to find Tima, the robot, and Kenichi. Rock is responsible for destroying the place where Dr Laughton worked and why it stayed on flames. Kenichi and Tima become good friends during the movie in a more romantic way. ''Metoroporisu'' is a complex anime that actually shows more then people imagine. Definitely is not a movie for kids(( Even looking a little childish), since they probably will not understand the real message of the movie or the scene where Tima is shot in her heart, a metaphor for losing her humanity. o For instance, we see a theme of class struggle in a society full of riches and full of poor people and also the relationship of robots with humans. I am very glad that Rintaro and Katsuhiro Otomo united their forces to bring Metropolis to a film, contradicting Osamu's wish. Many of the scenes of this animation were very well done(like the one the ziggurat is connected to Tima) with great special effects, and the mix of a retro animation with futuristic city had a very nice combination in the product of the movie. I can say for myself that it was a long time since I watched an anime that made me feel touched, and this anime happened to be one of them. The end is very sad, and I don't think that Tima was rebuilt, as many people were speculating, since she was the most complex robot in the world and not easily rebuilt,specially without her creator.

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