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Nijû hibaku ~ Kataribe Yamaguchi Tsumotu no yuigon (2011)

GENRESDocumentary,Short,Biography,History,War
LANGJapanese
ACTOR
Tsutomu YamaguchiHideyuki AkabaneJames CameronYasuko Higuchi
DIRECTOR
Hidetaka Inazuka

SYNOPSICS

Nijû hibaku ~ Kataribe Yamaguchi Tsumotu no yuigon (2011) is a Japanese movie. Hidetaka Inazuka has directed this movie. Tsutomu Yamaguchi,Hideyuki Akabane,James Cameron,Yasuko Higuchi are the starring of this movie. It was released in 2011. Nijû hibaku ~ Kataribe Yamaguchi Tsumotu no yuigon (2011) is considered one of the best Documentary,Short,Biography,History,War movie in India and around the world.

'The bottom line is, there shouldn't be nuclear in our world'. On his 91st birthday, Tsutomu Yamaguchi said when asked about current nuclear power. He is a survivor of not one, but two atomic blasts at both Hiroshima and Nagasaki. While he has no physical scars from the attacks, his emotional scars run deep, as he lost his sons and his wife from the after-effects. The picture of the human 'Jigoku' (Hell) burned in the memory, he realized his experience 'needs to reach out to the world.' His quiet, but powerful words did just that, as the United Nations and Filmmaker James Cameron were moved by his message. The Documentary, 'Twice Bombed,' chronicles Yamaguchi's passionate plea for peace and serves as a reminder of the very human side of an issue facing the world at large.

Nijû hibaku ~ Kataribe Yamaguchi Tsumotu no yuigon (2011) Reviews

  • Plays loose, pointlessly, with facts

    antimatter332018-02-03

    There was no need to doctor the terrible truth as is done in this film. The sensationalism and special effects are entirely out of place, and do disservice to the subject. For example, people did not keel over instantly from drinking radioactive rain. The catastrophes of the atomic bombs were actually side shows to the much more destructive and lethal fire-bombing of all the major Japanese cities. This historical context is important in order to understand the meaning of Yamaguchi's experience. Instead the director goes for a cinematic treatment. If that was the desire, a feature film would have been better.

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