SYNOPSICS
Ocaso (2010) is a Spanish movie. Théo Court has directed this movie. Álvaro Bustamante,Rafael Vazquez,Nano Vázquez are the starring of this movie. It was released in 2010. Ocaso (2010) is considered one of the best Drama movie in India and around the world.
Rafael, an old butler of a decadent farm house, lives with his landlord in that space. Rafael develops a series of actions and daily routines that resume a life and a glorious family past . These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that enviroment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.
Ocaso (2010) Trailers
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Ocaso (2010) Reviews
A Great First Work
"Ocaso" is a beautiful first work that only runs 78 minutes, a film of which its refinement and subtlety contrast, for example, with that white elephant called "The Tree of Life" (2011), in which Terrence Malick pointlessly tried for almost three hours to convey spirituality; or four decades before, with Robert Mulligan's "The Spiral Road" (1962), in which Rock Hudson became enlightened under tons of make-up. Brazilian director Geraldo Sarno often refers with certainty to the corporealness of images that today we witness in several young filmmakers' works. In their films the new creators let recorded images of objects and persons flow, and these attain a new dimension, a different perception that have lost their brightness or beauty, spoiled by routine, from watching them on a daily basis. Théo Court belongs to this generation. In "Ocaso", the characters' bodies, their actions and the dilapidated country mansion, come to new life in the midst of decay, framed by vigorous nature, almost ethereal its stillness and splendor. Easily taken for a documentary, the drama unfolds in silence and calm, but it does take from documentary perception in the attitude of director Théo Court, cinematographer Mauro Herce, and editor Manuel Munoz, respectful of the anthropological act. In the minimalist story, an old butler faces the possibility of unemployment and homelessness, while time passes serenely but inexorably, and archive images evoke the happy days, lost in the memory, crystallized in fragments of monochromatic celluloid. A small work, but huge in its achievement, "Ocaso" is a firm step in Théo Court's evolution as a filmmaker.