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Papurika (2006)

Papurika (2006)

GENRESAnimation,Drama,Fantasy,Mystery,Sci-Fi,Thriller
LANGJapanese,English
ACTOR
Megumi HayashibaraTôru EmoriKatsunosuke HoriTôru Furuya
DIRECTOR
Satoshi Kon

SYNOPSICS

Papurika (2006) is a Japanese,English movie. Satoshi Kon has directed this movie. Megumi Hayashibara,Tôru Emori,Katsunosuke Hori,Tôru Furuya are the starring of this movie. It was released in 2006. Papurika (2006) is considered one of the best Animation,Drama,Fantasy,Mystery,Sci-Fi,Thriller movie in India and around the world.

Three scientists at the Foundation for Psychiatric Research fail to secure a device they've invented, the D.C. Mini, which allows people to record and watch their dreams. A thief uses the device to enter people's minds, when awake, and distract them with their own dreams and those of others. Chaos ensues. The trio - Chiba, Tokita, and Shima - assisted by a police inspector and by a sprite named Paprika must try to identify the thief as they ward off the thief's attacks on their own psyches. Dreams, reality, and the movies merge, while characters question the limits of science and the wisdom of Big Brother.

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Papurika (2006) Reviews

  • Infinite interpretation

    qiowisj2007-06-24

    I had gone into Paprika not knowing much of what to expect, save for the fact that it was an anime with quite a buzz. An hour and a half later, this is one of the best films I've seen in 2007. The plot, as best as I can describe it, concerns a group of scientists developing a device which allows one to interject your subconscious into and record another person's dreams. However, a thief is using the technology to terrorize and control others. As the scientists try to find their stolen property, reality begins to take on a different meaning... Satoshi Kon is filmmaker I've never heard of before, but what he has created is truly visionary. Paprika continually amazes with imagery which transcends conscious understanding and coherence for what can only make sense on a subliminal level. Examples include a marching band of inanimate objects, dolls and animals, a giant aquatic leviathan with a man's face and humanoid toys that act as vessels for their dreamers bodies. But what makes the film necessary viewing is not the visuals alone, it's the core of the story and varied themes that it poses. The subject matter deals with issues both contemporary and probable. The actual identities of ourselves are wrapped in an enigma. How science has its positive and negative aspects. That the advantages of the internet is better communication but also dehumanization. I'm sure others will find other symbolism and subtext. Wheather you're familiar with Japanese animation or not, Paprika will expose any newcomer to something foreign and deeply personal as well.

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  • Fascinating

    Benedict_Cumberbatch2008-01-21

    I'm not an expert in anime, nor have I seen a lot of this genre, but I utterly admire the immense creativity of people like Hayao Miyazaki ("Princess Mononoke", "Spirited Away"). Satoshi Kon's "Paprika" is a great example of anime at its finest. The movie is a sea of original ideas and a visual blast. Apparently, the plot is about the theft of a machine that allows scientists to enter and record people's dreams, and how a detective and a young therapist called Paprika join forces to get it back. But there is so much going on and so many smart innuendos (remember: this is Rated R anime, not "Ratatouille" - even though I think the R rating is just too much in this case) that "Paprika" becomes one of the most original adult animations in recent memory - superior to Richard Linklater's "Waking Life" and even "A Scanner Darkly", I dare to say. I won't give away anything because I don't want to spoil a single scene, but I'd say that I see it as a movie about the power of movies over our life/dreams, and about the love people like me have for the Seventh Art. I don't know if that was Kon's original idea and honestly I don't care - it's not every day that you find a movie that amuses and says something to you in such an unpretentious way. Whatever was Kon's original idea, I think that he got what he wanted: a movie that both entertains and makes you think. Simply fascinating. 10/10.

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  • Mesmerizing

    zerogirl422007-06-22

    Paprika isn't for the faint-hearted. Don't expect a story for children. The story opens with a cop who's plagued by a recurring nightmare, so he seeks psychological help. If you've ever seen and enjoyed Alfred Hitchcock's Spellbound, it'll help you understanding what's going on in the film. The cop forms a relationship with Paprika, a dream character who becomes his guide in helping him understand what happened in his past that makes him feel such shame in the present. Paprika assumes many forms in the everchanging dreamscape to relate to the other characters. This seems all good at the beginning, but the device that enables dream analysis is stolen. This creates an even bigger problem than just nightmares; what happens when people can't control their dreams and has them hijacked by evil? Paprika isn't the easiest movie to sum up. On one level, it's like watching dreamy, fantastical animation, but there's also a deeper psychological question being asked: What is a dream exactly and to what extent does it affect your consciousness and waking life? How much fantasy is good for a person whether it be in dreams or spending time on the Internet? If you bury guilt and desire into your subconscious, how will it manifest in your dreams? Paprika is definitely a visual spectacle. I don't recommend waiting to see it on video. I had the honor of catching it on the big screen, which I believe is necessary to capture the depth of the imagery. Parts of it really seemed like dreams I've had (times when I've tried to walk, but couldn't get anywhere and the harder I tried, the worse it got). I put Paprika up there with Pan's Labyrinth. A lot of people will be turned off from it by the subtitles and another set of people will be lost by the mythology in it. If you don't have problems with these kinds of things, you will probably have a delightful viewing experience. It takes a person with an analytical mind to put the plot together. If you follow the recurring images, the mythology will make sense. A lot happens on the screen. I didn't have a problem understanding what was going on and I enjoyed putting the puzzle together. I don't think most moviegoers are like that these days, so I can see them getting bored or annoyed because they can't figure out what's going on. If you prefer the Disney genre of animation, avoid Paprika, it will just frustrate you. If you're crave more than a simple plot, Paprika will satisfy that hunger. The soundtrack is quite good too. It's a refreshing break from Elton John power ballads.

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  • Anime Excellence

    aljen15152007-04-16

    A couple weeks ago I was listening to the soundtrack from a movie called Paprika by Hirasawa Susumu. The music fascinated me, it was magnificent. I was strongly compelled to watch the movie. The story is based around a lovely lady named Paprika, she has mastered the ability to sail into others dreams and help them with their problems.... an internal dream analysis/counselor. I found Paprika the movie is as fascinating as the soundtrack . Needless to say the dream sequences are exquisitely and vividly portrayed. The pace is manic at times and dreams and reality often converge to confuse the characters and especially the viewer. It all comes together however, in what can only be described as the best closing battle sequence I have ever seen...... period!!! Paprika shines. Now...I never do, with movies what I did with Parika. Firstly the moment the movie finished, I got another cup of coffee and started it up again. Secondly I wrote this review And now I'm off to watch it again. Like anime or not, Paprika is NOT to be missed. Suggestion, if your not used to subs.... get the dubbed version......this is a fast paced movie and will require some attention. 10/10

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  • A Nutshell Review: Paprika

    DICK STEEL2006-11-21

    Adapted from a science fiction novel by Yatsutaka Tsutsui, Paprika is probably my favourite film from this year's Animation Nation. The closing film (technically, since it's the last film to be screened tomorrow), it is one heck of a thrill ride, and will definitely engage an audience at different levels. In contrast to the dark doom and gloom hanging over Paris 2054 in Renaissance, Paprika at first glance is surprisingly light hearted and colourful, though it has its fare share of gloom and probably has darker themes which unfold as the story progresses. It's central plot revolves around a futuristic method of psychotherapy with the aid of a newly created invention known as the "DC Mini", which is a device that probes into the annals of your brainwaves, and allows the doctor to analyze and diagnose problems which surface in your subconscious. Until the device is stolen that is, and it's up to our key project team members to try and contain the situation, prevent the device from falling into the wrong hands and get abused, and in essence, investigate the loss, with the help of fellow patient detective Kogawa Toshimi. In some ways, the movie's storyline resembles a bit like the Matrix movies (which of course, borrows from Japanese anime), in having the hero the champion of both worlds - the real one, and inside the artificially created one. surviving in both with the adoption of different personas. Here, our heroine is Dr Chiba Atsuko, who in her alter ego as Paprika, is able to traverse through the dreamworld with great ease. There are plenty of stuff happening in almost every scene, and some might deem it a little "noisy" with so much to see, but so little time on screen. However, never for a moment does it feel very cluttered, and I am still pleasantly pleased at how so much story can be compacted into a nifty 90 minutes, without compromising on quality. Despite the dark themes in the movie, there are a number of light hearted moments which seem to punctuate the movie at the right places, no doubt most coming from the characters of Tokita the DC Mini creator, and Detective Kogawa in his (in)ability and slow enlightenment to the entire scheme of things, nevermind a dark subplot solely focused on his character alone. At another level, it explores much about our dreams, and how within them, we can be who we want to be, but yet all comes to naught once we wake up from it. What if we're given the ability to merge both the real world and the dream world. Then what would become of life as we know? Will it be utter chaos when dreams and desire start to run amok? Full of vibrant colours and energy, Paprika is just about everything that you would expect from an excellent piece of animation. A story that makes your brain work at figuring out what's happening on screen, yet doesn't allow such mysteries presented to stifle your concentration on what's going on next. A hauntingly mesmerizing soundtrack. Beautiful art pieces from background sets to character design so detailed. And with so much on screen at any one time, it definitely seeks a second viewing to truly appreciate and take in everything. Director Satoshi Kon has made a fan out of me with this movie, and I think, if time and money permits, I'll be hunting down some of the earlier works, if this is any indication whether I'll enjoy them to bits. Paprika will be shown tomorrow during the Animation Nation festival's closing, but I hear that tickets are already sold out (I bought mine on the first day when the tickets were out on sale). I do think there should be a general release, so keep your fingers crossed!

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