Phantom Thread (2017)

Phantom Thread (2017)

Vicky KriepsDaniel Day-LewisLesley ManvilleJulie Vollono
Paul Thomas Anderson


Phantom Thread (2017) is a English,French movie. Paul Thomas Anderson has directed this movie. Vicky Krieps,Daniel Day-Lewis,Lesley Manville,Julie Vollono are the starring of this movie. It was released in 2017. Phantom Thread (2017) is considered one of the best Drama,Romance movie in India and around the world.

Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.


Phantom Thread (2017) Reviews

  • Elegantly Crafted Masterpiece


    Intimate, delicate, and a beautifully crafted masterpiece. Paul Thomas Anderson manages to expresses an artist's creative journey through threads of fashion and romance with such subtlety that it could only be conveyed through the medium of film. An atmosphere reminiscent of Kubrick's achievements, this romantic odyssey illustrates a unique perspective of love; a perspective in which love is shaped and manipulated by the fragile strings of each character's hearts. To begin with, I will praise an awfully disregarded aspect of "Phantom Thread": the cinematography and direction. The style and manner in which Paul Thomas Anderson uses silence and long takes is ingenious, and as stated above, was most likely inspired from Kubrick's works. Similar to the quote, "The less you say, the more your words will matter," the more silence, the more each line will signify. The more long takes, the more each short take will signify. Therefore, this method permits a greater control over the variety of dramatic effects; and in turn, the audience's emotions. Anderson also utilized this technique in many of his other films, including "The Master", "Magnolia", and his masterpiece, "There Will Be Blood". Of course, this strategy doesn't always serve well. The more the audience regards the dialogue, the more engaging the screenplay has to be. The more engaging the screenplay is, the more compelling the performances have to be. Yet "Phantom Thread" has all of this. Magnificent lead performances by Daniel Day-Lewis and Vicky Krieps, a strong and often overlooked supporting performance by Lesley Manville, and a sharp, dense original screenplay written by Paul Thomas Anderson himself. A few sprinkles of comedy are also blended in the script, which is always valuable for a romance. Not to forget the costume design either, which was essential to establish a post-war 1950s London environment. And finally, the score. Arguably the strongest part of the film, the score possesses Paul Thomas Anderson's signature strange aura that is found in several of his other films. It's not a coincidence that one of his most frequent collaborators is Jonny Greenwood, who composed the score for this film, "There Will Be Blood", and many others. While most movies nowadays would use music to heighten drama, Paul Thomas Anderson rejects the common norm; valuing music to form an atmosphere. This atmosphere is crucial in almost all of his works, creating an eerie tone for a mystery that drives the story forward. A transcendental and sublime work of art so remarkably subtle- delicately transfixing the audience ever so slightly, exploring the convoluted depths of an artist's obsession, and expanding cinema's horizons for miles of wonder- all woven beneath the intertwined threads of the phantom. Farewell, Daniel Day-Lewis. We will miss you.

  • The Art Of Being


    Daniel Day Lewis adds a new extraordinary character to his gallery of extraordinary characters. All men and each one of them a total original variety of male. From the gay punck rocker of "My Beautiful Launderette' to Abraham Lincoln in "Lincoln" Now Reynolds Woodcock, an artist in the world of fashion a man who lives his work as his only form of expression. The frustration by any form of interruption by anything or anyone out of place guarantees his private isolation and yet he craves the warmth of human intimacy. The complexity of Ryan Woodcock becomes totally accessible in Daniel Day Lewis's eyes, with every move, with every silence. It is a monumental, beautiful creation. His Alma - the Alma that he chooses - is played with Bergmanesque intensity by Vicky Krieps and she's a perfect framer/embracer/provocateur in a remarkable performance. Lesley Manville is chillingly perfect as a sort of Mrs Danvers. A sister/gate keeper with an eye on everything. Was she the one that protected him from his homosexuality or it's just my imagination? I love Phantom Thread. I will see it again soon. P T Anderson gives us another scrumptious gourmet dish. Tank you for that.

  • When a film looses its thread


    Let us get this out of the way- Phantom Thread is a beautiful film with a great premise and promise. A couture dress designer (Daniel Day Lewis) is demanding in the extreme and finds a muse (Vicky Krieps). He enjoys using her as a dress model and a companion, but she wants more. Along the way, the director, Paul Thomas Anderson, throws hints of intrigue starting with the title of the film. There are empty pretensions of dress-making as high art, secret messages sown into dresses and haunting memories. All of this leads to- exactly nowhere. Everything Lewis and Krieps do is recorded lovingly and meticulously on film with great mood music in the background. But there is no great reveal, no deep insight into human psyche, no higher truth. In the end it comes down to what a woman wants and what the man can live with. Lewis and Krieps are excellent, especially Krieps, but Lesley Manville as Lewis's sister has the thankless job of looking stern in every scene. Nothing in the film sticks with you when you leave the theater except the dresses, photography and the music; because Anderson has not come up with anything really interesting in the story. Unlike his "There Will Blood", which was a great film, Phantom Thread is a phantom film. It is a beautiful ghost of what should have been a really good film. See it if you wish to say goodbye to Daniel Day Lewis, but keep your expectations low.

  • It's a waste of time


    It is a pretentious film that masquerades as a work of art. It should have been and could have been an outstanding film. The photography, period pieces, countryside, etc. were all beautiful; however, the story and plot (or lack thereof) suffered and droned on unbearably. I kept waiting for the film to finally take hold of its viewers, but it never did and it never got off the ground either. Such a shame. It's a movie about an aging, single dressmaker to the wealthy with a fetish for his mother, who lives with his aging, bossy single sister and takes on a young female lover from time to time until he is annoyed with them and until his sister bosses them out. He then meets a daughter-like lover who is deadly and is even more manipulative and devious than his sister. Total waste of two hours that I'll never get back. I only gave it 4 stars because of the scenery and photography.

  • Okay. I don't get it.


    All I could think at the end was, "Okay. I don't get it." But I will still try to make a modicum of sense out of it, just for you. Let me say here, in case you don't feel like reading further: Don't watch this movie if you haven't already done so. Find something better to view. ("Message from the King" isn't half-bad.) My understanding of this film: The control freak meets his soulmate. She loves him but she wants to tame his OCD-ness. She will poison him over and over, with his permission, until he is (my rendering of her words) "flat on his back, gentle and needing her again." Ugh. Ever since "My Beautiful Launderette" I have loved Daniel Day-Lewis and enjoyed his masterful acting. Even though "Last of the Mohicans" was absolutely cringe-worthy, it was fun to watch Day-Lewis running through the forests, lugging that ancient flintlock musket (or flintlock rifle or whatever it was), brown curls flying. Wow. That was something. My Left Foot, Room with a View, Lincoln, etc. All of his great performances over the years . . . And now we have this piano-tinkling, violin- downer music codswallop? As always, Day-Lewis is riveting. The storyline is somewhat intriguing, too-----until you realize the whole thing is about this Alma chick not getting the attention she needs. She will not be tossed aside. She suddenly has the inspiration and means to bring this great artist to his knees. We learn how she is going to give him near-death experiences and settle his hash and thereby win his love. Bah. Shame on her. She is not a muse, she's a low-life jealous ninny. Jealous of his talent and artistry. And she tells us she will find him throughout the ages, no matter where he is. What? And make him miserable over and over again, in those many lifetimes? And he goes along with this? What a bunch of tripe.


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