Quid Pro Quo (2008) Reviews

• Glad I saw it

  jaywindley2008-01-29

  I saw this film on the closing night of Sundance, mostly because all the other films I wanted to see were sold out. I'm glad I went. Nick Stahl and Vera Farmiga dance adeptly around and through the film's premise, which is coaxed pleasantly out of a screenplay that writer-director Carlos Brooks has polished over seven years. Stahl plays a public radio reporter confined to a wheelchair since a childhood accident. While following a lead in a bizarre story, he meets Fiona (Farmiga), a mysterious woman who leads him into a reclusive subculture. At first, microphone in hand, he wants the story. But then a trip to a second-hand store for some shoes convinces him the story isn't what he thought it was. The Sundance catalogue billed it as a "psychological thriller," but in my opinion that misses the mark. Yes, we're introduced to some oddly quirky characters along the way. But Brooks bills is as a detective story, and that's how I think it's best approached. It's an exercise in restrained exposition that keeps the viewer guessing right up until the film's final scenes. As with most independent films, this one makes good use of small-scale locations and intimate moments. Even the Manhattan exteriors favor enclosed sidewalks and narrow passages. The cinematography, done on high-definition video, is crisply executed and richly textured with subtle but effective details. (The lustrous wallpaper in Fiona's apartment actually has its own screen credit.) The camera spends a great deal of time at the eye level of a wheelchair occupant, emphasizing the point of view and expanding the small spaces in which many of the film's scenes take place. Stahl and Farmiga drive a substantial portion of the film by themselves. Brooks admits that the their story took over the film as he shot and edited it. As a result the supporting ensemble retreats to the distance, a position from which performances from James Frain (as Stahl's mentor) and Michal Leamer (Fiona's mother) can give brief but memorable performances. Vera Farmiga creates a complex character whom you can't help loving, hating, and fearing all at the same time. Nick Stahl's performance stays even and understated until his veneer breaks apart and the detective story comes full circle. The only negative aspect to the film is the frank treatment of the subculture that frames the principal characters, not because the treatment is unfair or poorly executed, but because it's likely to take the average viewer by surprise. Look for wide release in May 2008.

• The best mysteries reveal the self, not just the solution to the mystery

  UncleTantra2008-06-25

  I liked "Quid Pro Quo," a LOT. Do NOT be put off by the subject matter; that's just "local color" for a good, old-fashioned mystery, one that opens up" into not only revelation, but self-revelation. For those who like mystical mysteries, it's even got a pair of magical shoes that perform miracles. The film is what it is not only because of a masterful script, but because of two actors who basically eat the screen with fine performances -- Nick Stahl and Vera Farmiga. Stahl plays a public radio reporter who is semi-paralyzed; the accident in his youth that killed his parents left him in a wheelchair. He gets a tip from an anonymous woman that at a local hospital, a man recently walked in and tried to bribe one of the residents to amputate his leg. Following up on it, he finds that not only is it true, but that there is a subculture out there that *envies* those in wheelchairs, and wants to become like them. They call themselves "wannabees," and have been known to cripple themselves or have others do it for them so that they can live their "inner dream" of being confined to a wheelchair themselves. His investigation leads him to a mysterious and beautiful young woman, played by Vera Farmiga in a performance that is going to get her a LOT of work in the film biz. She's tremendous -- innocent, sexy, conflicted, and at every turn of the plot the person who leads Stahl's character deeper and deeper into his investigation of why on earth someone would *want* to be confined to a wheelchair. It's a great flick, by a first-time writer/director, someone who IMO is To Be Watched. Highly recommended.

• Strange and Fascinating Detective Story

  gradyharp2008-08-31

  Helpful Note: Wikipedia definition: Quid pro quo (Latin for "something for something") indicates a more-or-less equal exchange or substitution of goods or services. Carlos Brooks makes an impressive debut as both writer and director of this little independent film QUID PRO QUO, a story that may make some viewers uncomfortable because of the subject matter, but an intelligent investigation of a subculture unknown to most and a script that leads to a surprising ending - if the viewer keeps thinking after the rolling credits are over! Isaac (Nick Stahl) is a reporter for a small radio station, a role that gives him the opportunity to uncover novel human interest stories for his audience. Interestingly, Isaac is a paraplegic, confined to a wheelchair since age 8 when he was the survivor of a car crash that killed both his parents. He has full function of most of his body, but cannot walk. Isaac receives an email from one 'Ancient Chinese Girl' that contains a message about a person who convinced a doctor to amputate a normal leg. Isaac is fascinated and sets out to investigate the story and eventually discovers the source of the email - one young and very beautiful Fiona (Vera Farmiga) - who introduces him to a subculture of people who want to be wheelchair bound: in a group meeting Isaac hears strange stories from a disparate group of people who meet to discuss their obsession with being paralyzed, their chance to be noticed and cared about as quasi-invalids who would go so far as having an amputation of a normal limb to enable their wheelchair dreams. Isaac soon discovers that Fiona shares this obsession, demonstrates her secrets to Isaac, and the two begin to bond physically and emotionally. Isaac is the first person to see Fiona make her 'debut' in public in a wheelchair. They share lunch in a café and share their life experiences: Isaac confesses that he harbors foreshortened memory of his accident - his last memory is lying in the road seeing a young girl with red and white pompoms trying to save him. Isaac surprises himself (and shares his surprise with Fiona) when he buys a pair of 'Fred Astaire shoes', and upon trying them on, he is able to walk! Fiona's response is mixed - she is happy that Isaac is ambulatory but at the same time she is led to believe that Isaac's paralysis may be of an hysterical nature, that he really has never been paralyzed except as a reaction to the guilt he harbors about his parent's death and his sole survivorship of the accident. How these two people deal with the information as it develops provides a startling ending to this story, a detective mystery that in retrospect proves to have given us, the audience, countless clues throughout the film - clues only discovered in retrospect! Both Nick Stahl and Vera Farmiga give vital performances, able to draw us in to their odd characters and make us care. There are many fine cameo roles - Kate Burton as Fiona's mother, James Frain as Isaac's priest friend, and all the members of the wannabe wheelchair bound group - and the cinematography by Michael McDonough is both appropriately claustrophobic indoors and transcendently beautiful in the tulip fields of Skagit Valley, WA used as the setting for the upstate New York accident location. Mark Mothersbaugh ties the moods of the film together with his expert musical score. This is a tough little film to watch, but a film that supplies much gratification and challenge. It is a fine debut for Carlos Brooks. Recommended. Grady Harp

• humane treatment of a sensitive subject

  Buddy-512010-10-01

  Set on the very fringes of underground society, Carlos Brooks' "Quid Pro Quo" is a humane and compassionate tale of non-handicapped people who have a pathological obsession with becoming either partially or totally disabled (or at least living their lives as if they were). In the most extreme cases, some will even go so far as to stage accidents, endure amputations or employ special drugs to turn their fantasy into reality. And, like anyone who's harboring a deep, dark secret from a critical world, these people are forced to live their lives in the closet, terrified that they will be rejected by those they care most about if they reveal the truth of who they really are inside. Isaac Knott (Nick Stahl) has been a paraplegic since he was a teen, the result of a car accident in which both his parents were killed. He's now a reporter for a local radio station and it is through an assignment for his work that he meets a group of able-bodied "wannabes," as well as an attractive young woman named Fiona (Vera Farmiga from "Up in the Air") who desperately wants to live life in a wheelchair and implores Isaac to help her achieve that goal. This quiet and gentle, though emotionally complex, film rises above its potentially tricky subject matter through insightful performances, sensitive writing, and a plot that nicely dovetails into itself in the second half. We discover that there's a great deal more to both Isaac and Fiona and their relationship than initially meets the eye, and those revelations go a long way towards deepening the theme and enhancing the characters.

• Farmiga does justice to a great script.

  Panterken2008-07-05

  Vera Farmiga (playing 'Fiona') and Nick Stahl (bringing 'Isaac' to life) get two endlessly interesting characters thrown their way by first timer Carlos Brooks, and they know what to do with the material. Fiona's part's the most fleshed out and she hands in the greatest performance I've seen in quite some time; I have to scrape some long term memories together to conclude I can't remember seeing an equally great performance in at least half a year, that one being Jason Patric's in 'Your Friends & Neighbors'. 'Quid Pro Quo' deals with a difficult subject, namely paralysis: Stahl's semi-paralyzed and confined to a wheelchair since involved in a brutal car-accident at age 8, during which he lost both his parents. He's a radio-journalist whose work one day brings him in contact with Fiona, she's charming, endearing and very sexy but she makes some unexpected revelations about herself: she feels she's a paralyzed person confined to an able body. We follow Nick as he further descends into the subculture and Brooks passes us some insights about paralysis along the way. I couldn't help reminiscing about 'Spider ' and other Cronenbergs when viewing, QPQ's style's not totally unlike the fore-mentioned but if some reading at the moment fear 'boredom' (I would never dare to call Cronenberg 'boring' but I can understand why some might would be inclined to), I can assure you QPQ makes for a very accessible film. You know how every great song seems to be over far too soon and how every time you eat a great meal the plate seems to be smaller than it used to be, well as interesting and entertaining as 'Quid Pro Quo' is, it could've used a cherry on top of the icing. Carlos's script does bravely take the road less traveled, I must admit to myself maybe a thriller dealing with the subject would've pleased me more. QPQ's a very pleasing (albeit not that deep) character drama, but I saw a brilliant thriller lurking inches underneath the surface. However, for a drama, QPQ 's surprisingly light on it's feet: no vast array of manipulative long shots of Isaac suffering from his condition, no indoctrination to the writer's vision. Instead we get 'Magic shoes', comedic bantering between Isaac and his doorman and a realistic ending. All of these elements, make the film very easy to watch yet it doesn't leave you feeling indifferent. If you have a brain and a heart you'll enjoy this very fine debut by Carlos Brooks, I'd advise anyone with a passion for cinema to keep an eye on him.