Rusevine (2004) Reviews

• Samo Rugl. If you have a problem, call your father. He'll help.

  janezburger2006-06-08

  Review by DEBORAH YOUNG, Variety Using a theater company's production of a play to reveal the intricacies of character and relationship may not be a cutting-edge idea, but "Ruins" does the job so well, it is a pleasure to watch. Slovenian director Janez Burger makes a worthy follow-up to his widely seen debut "Idle Running," creating an en-grossing drama out of the good, old-fashioned tools of performance, camera-work and tone. This carefully balanced work would make a worthy addition to theater and arts festivals, and could be just the cup of tea for serious-minded broadcasters. The story is woven around Herman (Darko Rundek), a respected middle-aged stage director preparing a previously unknown work by an old Icelandic master, to be played in an open-air theater at dawn. As we soon learn, the real playwright is Herman and his discovery is a hoax. To make matters worse, the piece is opening an international theater festival where the impresario is planning a splashy reception. In the cast are the director's old friends, including close buddy Gregor (Matjaz Tribuson) and Her-man's live-in companion Zana (Natasa Matjasec), a famous actress he's never worked with. There is also Gregor's sexy ex-mistress, much to the distress of his jealous wife Ema (Natasa Burger). Herman's clever idea seems to be to explore real-life tensions between his actors. But the real tension begins when he thinks he sees Zana and Gregor having a quickie in the bathroom. So begin rehearsals from hell. A drama of jealousy unfolds as the problematic premiere approaches. Herman's suspicions are raised to Othello-like proportions, turning all his fine talk about love and relationship into farce. But the show must go on, and its strange, barbaric performance makes for strong dramatic closure in one of Burger's many bold directing decisions. Well written by Ana Lasic and Burger, and beautifully paced, the film drops viewers into the emotional world of stage performers, who live in musty old hotels and never stop thrashing out the difference be-tween "true emotion" and theatrical posing. In the main role of Herman, Croatian musician and composer Rundek is an ambiguous manipulator, just this side of a spoof on pretentious intellectuals. Matjasec's intense, neurotic Zana wins sympathy despite a fit of artistic temper on stage. Tribuson delivers a multi-layered performance as the dynamically engaging Gregor, one of the few to add a welcome touch of humor. Simon Tansek's fluid, modern widescreen lensing keeps things moving and reveals an uncommon poetry in the final scenes, where Ana Matijevic and Aleksandra Gregl's costumes also shine. Drago Ivanusa's score adds depth.

• a talky, boring, less than mediocre drama

  r_samo2005-01-12

  This movie takes a group of theater people as it's central characters. It evolves around their relationships. They are all incapable of normal human conversations, act childishly all the time and yell a lot. Lots of clichés in terms of script, and a very unimaginative direction from director Janez Burger, who used widescreen process for apparently no other reason than to be fancy (the movie is devoid of any panoramic shots, it just has people talking and talking and talking all the time). The script does not reflect very well real life situations, unless all the people you know are totally pretentious and hysterical. All in all, the movie is boring and should be made quite differently if at all. This movie is arty stuff that will soon go into oblivion where it belongs.