Scorpio (1973) is a English,French,German movie. Michael Winner has directed this movie. Burt Lancaster,Alain Delon,Paul Scofield,John Colicos are the starring of this movie. It was released in 1973. Scorpio (1973) is considered one of the best Action,Drama,Thriller movie in India and around the world.
Cross is a CIA field agent, most of his tasks as an assassin. He has just returned to Washington DC from working on a case in Paris, he accompanied by Jean Laurier, code name Scorpio, a Frenchman who has long been mentored by Cross and who works as a freelance assassin. Scorpio pulled the actual trigger on the target in the just completed Paris case, and because of the nature of their work, Cross and Scorpio part company at Dulles Airport, neither having ever seen the other if questioned. Scorpio currently also lives part-time in DC with his girlfriend Susan and his flight attendant sister Anne. Cross' superior McLeod is surprised to see both Cross and Scorpio return to DC as the agency, through McLeod, had unofficially contracted Scorpio to eliminate Cross in Paris as it is well known within the agency that Cross plans on quitting, the threat that he could sell out to the Communists with the amount of knowledge he has too great a risk for the agency to take. Scorpio was seemingly the...
Fans of Scorpio (1973) also like
Back in the 1970s when Capitalism and Communism were fighting the cold war with undercover activities, a film such as this was able to play on our fears of the "good" guys as well as the "bad" guys. So, along with Burt Lancaster's aging C.I.A. agent, Cross, we can't know whom to trust. We like Burt, but we also like Alain Delon (Scorpio) the free agent assigned to assassinate him. We loathe John Colicos as the C.I.A. chief, yet he's supposedly working for our side. We like Paul Scofield's Zharkov, yet he's a commie. (Indeed, Scofield who is a master of cold characters has never been so charming.) The film offers great action scenes as well as unmitigated suspense. There is a superlative cast, and a lot of surprises. (Burt ain't named Cross for nothin'.) If you are a fan of thrillers, or even you aren't, this one's a must see!
Whereas Ian Fleming and Robert Ludlum tended toward the super-hero approach to international espionage, John Le Carre preferred it's more-realistic side: the tawdry shadow-world of betrayal, futility, and the brutal exploitation of human weakness. It looks like screenwriters Daniel W. Rintels and Gerald Wilson and director Michael Winner took a page from the Le Carre playbook when crafting this 1973 thriller. Scorpio ranks with The Spy Who Came In From The Cold and The Looking Glass War as one of the best espionage flicks ever made. Burt Lancaster displays subtle depth as a veteran CIA agent who might be turning to the other side. Alain Delon excels as the young French assassin tasked with the liquidation of his old friend and mentor. Paul Scofield, John Colicos, and a young James Sikking all turn in fine supporting performances. Scorpio is a lesser-known yet very satisfying classic from the Anti-Hero/Anti-Establishment era of the 1970's.
I had seen this years ago and thankfully it was shown again on thisTV out of Indianapolis. Although this film is a great spy thriller, it is much more about friendship. Deep friendship. Between enemies and old friends. Not the fleeting digital facebook friendship where facebook folks are friended are defriended with the ease of changing lipstick. But deep, 'no questions asked' friendship of life threatening assistance. Do you have any friends like that? I think not. This is more a human story of old loyalties not nameless rule book bureaucrats. There is a very poignant scene in the music hall where Max and Cross are listening to Brahms talking about the favor that Cross needs. Earlier in a cafe, Cross tells Max he needs a favor, and Max says he will do it no matter what and has the weekend free. Max is a music instructor. In the music hall, Cross says the favor may be painful, he needs a message delivered to his wife and it will probably kick back to Max. Max doesn't care, because after WWII, Cross was the one who liberated Max from the camps, where "he couldn't listen to Brahms without crying". Now, after being liberated he can. He dies helping Cross. Who has friends like that? Cross friendships go deep, from the hood in DC to a Soviet spy. In fact, those friendships transcend race and politics. Scorpio predates Casino Royale in a great foot chase through a construction sight and it also has the intrigue of 3 Days of the Condor. It also predates the Bourne Identity series in that Cross is one step ahead of the CIA most of the time. GREAT LINE: SCORPIO: "I think you better try McLeods chair for fit, it is going to be empty soon". Said to 2nd highest CIA guy after learning that an agent of McLeod killed Cross's wife. I liked Cross's coterie of old friends that he relies on for his escape through Europe and in the US. A great entertaining thriller and with Burt Lancaster, Alan Deloin and Max Schofield you will have a delightful time.
Burt Lancaster and Alain Delon are the star cast of this archetypal seventies spy film where, as the final line goes, "the only rule is to stay in the game". A taciturn Lancaster is Cross, a veteran CIA agent who comes under suspicion of double play by the young wisecracks who run the shop. Cross's hit-man Jean Laurier aka Scorpio, a French mercenary played by Alain Delon, is hired by top officer McLeod to get rid of the old man but something tells him there's more to it and he decides to wait. Soon, Cross knows the time on his watch and is on the run, seeking refuge in Vienna with his KGB counterpart and buddy Sergei Zharkov (Paul Scofield in a posture reminiscent of Fernando Rey in French Connection) while trying to reunite with his wife (Joanne Linville) and quit the game. Though not convinced of Cross's alleged defection, Scorpio finally agrees to go after him. Ensues a twisted tale of foul play, double entendre and grim realpolitik. Though not an unforgettable classic nor, by any means, an extravaganza, and despite obvious flaws among which the sketchy synchronising, some phony dialogue and the occasional action blunder Scorpio is a highly entertaining and at all times suspenseful flick, which hardly ever loses pace and offers a great platform for a no-nonsense performance by the bulky Lancaster and the sly Delon. Unlike Costa Gavras, director Michael Winner clearly chooses story intrigue over naturalism or verisimilitude, and turns in a solid thriller with overall likable types. Certainly, there is no moral authority here, and not even so much as true friendship or love he who trusts will get stung.
The thing about spys and espionage is that there is a difference >between good guys and bad guys. Burt Lancaster portrays aging C.I.A agent Cross who wants to leave the C.I.A to spend more time with his wife (Joanne Linville). However he has been training another mentor Jean code name "Scorpio"(Alain Delon) who is just been learning the tricks of the trade as a C.I.A assasin. C.I.A boss (John Colicos) feels that Cross knows too much and that he should be killed. He soons asks Scorpio to do the job, but he refuses. Scorpio is later arrested on phony narcotics rap and is blackmailed to do the job of eliminating Cross, so he accepts it. Cross however catches on that he is being by the watched C.I.A and the game of cat and mouse between him and Scorpio begins. He later takes refuge in with on old colleague (Paul Scofield) in Venice. Yet the question remains. Who is doublecrossing who? Who will survive the game? Who is good and who is bad? This a great film. Burt Lancaster was 59 years old and he had the ability to perform his running scenes as he is being pursued by Delon and another C.I.A hitman. He is proven to be a good actor who attributed the physical-athletic attributes in the film. Alain Delon gives a marvelous performance the man forced to hunt down and kill Lancaster. I give this film 10 out of 10**********.