Snakeskin (2001) Reviews

• Twisty surprises delight and enthrall...

  kaybar2003-06-21

  I loved this film so much I've seen it several times, and with each viewing am rewarded with another layer of story telling, symbolism, character development and references to Kiwiana - & NZ v USA culture. On first viewing it's a twisty road trip with lashings of humour and a sci fi flavour, but subsequent viewings reveal a much darker story and complicated characters - once you recognise clues delivered in short sequences, or understand that throwaway lines are crucial to the story. Cinematically it's an eye popping feast of vast landscapes and gorgeous lush scenery, but it's the dark twisty story which satisfies the most. Melanie Lynskey as Alice blew me away in her first sexy lead role rather than as the usual "suburban friend" she gets cast as; even Dean O'Gormon surprised as I'd only ever seen him acting in a soap before. The soundtrack deserves special mention - especially the mood inducing soundscapes as the road trip progresses. Overall this is a classic NZ film which will affect an entire generation of New Zealanders as Goodbye Pork Pie did in the 70s. Well worth a look.

• Excitement just down the highway.

  michaelRokeefe2011-01-23

  This New Zealand product slowly grabs you. Alice(Melanie Lynskey...Rose on Two and a Half Men)is a young women who craves excitement. She admires most all things American; you know...threat of danger, drugs, sex and in her mind anything resembling a cheap thrill. Her bedroom walls are covered with photos of James Dean and Elvis. She also has a fetish for snakeskin boots. Her ideal weekend is going with platonic friend Craig(Dean O'Gorman), who wants to be called Johnny because it is sexier, hitting the highway and picking up strangers. With each stranger there is the chance of adventure. Johnny being in love with Alice would go to the ends of the earth for her. What Alice wants...Alice usually gets. When these two adventurers pick up an American hitchhiker Seth(Boyd Kestner), the road trip becomes a thrill ride. Seth appears to be a rough cowboy packing a gun and wearing snakeskin boots; and he is trying to hide the fact he is running from drug dealers, who he robbed...he has their product and their money. This being known, small town Alice and Johnny become characters in the adventure of their lives. Lynskey has what it takes to carry the movie. She is vibrant and adaptable. Others in the cast: Oliver Driver, Jode Rimmer, Jacob Tomuri and Paul Glover.

• The whole thing is like a slow drive to nowhere with the kids fighting non stop in the back of the car.

  cameragod2003-04-24

  I so wanted to like this movie, my sister was Melanie Lynskey's body double, but sorry sis you were good, the movie sucked. I didn't like or hate any of the characters, finding them bland, one-dimensional and sadly unengaging. The portrayal of the American drifter was right passed cartoon and into offensively stereotypical. Snakeskin does nothing new or even well, the comedy that should help lift the story is limp and unsatisfying. The whole thing is like a slow drive to nowhere with the kids fighting non stop in the back of the car. Are we there yet? When will it end? Spoilers- other than actually paying to see the movie. The writer Gillian Ashurst may think getting F***ed in a toilet by a stranger is very exciting and everyone's secret fantasy but. yawn, is this crap really the best she could come up with? I was glad when one of the main characters put the gun in his mouth and died. One less source of weak inane drivel to listen to and I felt relieved because the movie must nearly be over. wrong it just kept going on and on. and even then the end was not worth the wait.

• Decidedly Kiwi Road Movie

  jacob thomas2001-10-10

  I went to Snakeskin not expecting much, perhaps something along the lines of "Stickmen" a NZ version of a successful overseas production, with a focus on Kiwiana and gimmicky NZ references. Too a large degree I was not disappointed. Oliver Driver plays yet another weirdo (although this time a skin head speed freak) which he does well, however, his appearances are becoming a little too familiar. While the acting and actors are excusable the writing is not, the first half of the film is nothing particularly new but works, but, by the second half the writing is completely incoherent. At one point towards the end it seems as if too many characters have been introduced and writer/director Ashurst just gets rid of them, they walk off, get shot etc. etc.... More noticeable than their demise is the increasingly strange (dare I say quirky) mishmash of ideas thrown in to try to hold the script together as it winds down towards the end which is neither a surprise nor original. (In fact for all you B-grade film viewers, very "Tales from the crypt" type thing). The whole film is very New Zealand on the surface and should be praised for being true to "NZ", those of you who liked "Stickmen" will like this film, but for me it does not compare with "Goodbye pork pie". Go and see it if only for the landscape.

• Completely Ridiculous

  auslite2007-09-02

  I'm getting tired of NZ films like this. They have poor stories, the scripted dialogue is ridiculous and they are badly acted. Six years on and this type of NZ film is still being made. How did the Australians make the giant leap into quality film and somehow the Kiwis are still fumbling around like a High School Play Group? This film reeks of the liberal ideas and attitudes that are coming to a close in NZ. The story is desperate to attack traditional NZ culture and values, yet instead of actually telling the truth -which would do it better- they present common ignorant liberal assumptions. There is so much kitschy rubbish throughout it: scenes constructed from what the filmmaker must imagine rural NZ is like instead of what it actually is. It gives the impression that NZ culture is stuck on top of the people like a cheap plastic toy on the dashboard of a car. If you live in NZ or are familiar with it's people you'll laugh at some of the sanitised characterisations. Why was it even necessary to drift off into sci-fi? Is the truth really that hard to face? Or is it because the filmmaker really had nothing to say outside of proclaiming they, personally, imagine themselves to be "badass."