Soul Survivors (2001) Reviews

• "Jacob's Ladder" lite

  seandchoi2001-09-08

  Soul Survivors reminded me a lot of Jacob's Ladder, but it doesn't have the foreboding mood or the suspense of the latter. A girl gets in a car accident and suffers a brain hemorrhage of sorts, which results in her going through some nightmarish experiences. Is she dead? Is she alive? We don't know until the end, and despite some artistic visual flourishes, Soul Survivors never seems to really take off. It doesn't generate any real suspense or give us any real scares. But it is not a total failure, either. Director Steve Carpenter has given us a film that seems to play the notes of psychological horror, but doesn't quite manage to play its music.

• Derivative Psychological Thriller Posing as Teen Horror

  darkjosh2002-04-11

  Like a relative that gives you a bad gift, Soul Survivors has its heart in the right place but trips up with a bad execution. Stephen Carpenter's writing/directing effort borrows freely from other, better films, such as Jacob's Ladder and Abre Los Ojos (Open Your Eyes). For those who haven't seen either of these films, I won't give the premise away; suffice to say it's not nearly as well handled here than in those two superior films. Melissa Sagemiller stars as Cassie, about to go away to college. Her current boyfriend Sean (Ben Affleck) and ex-boyfriend Matt (Wes Bentley), both friends, and Annabel (acerbic Eliza Dushku) are in a car accident after being pursued by two killers (?) in transparent masks. She survives the wreck, but while attending college has visions of the hospital ordeal and dead people reappear and disappear, leaving her in a state of total confusion: who is dead? Who's alive? What's real? Soul Survivors has the look of a bad been-there, done-that, gore-filled, blood-splattered, body-stacking teen exploitation flick. True, it has its share of killer-stalking-the-victim scenes (plentiful, repetitive, and mind-numbing), but at least it attempts to build suspense through ideas rather than cliches, unfortunately rather unsuccessfully. It breeds confusion much more often than cohesion, as the story becomes jumbled, messy and incoherent near key points of the mystery (predictable as it is.) Horror fans who pick up a copy will have no idea they are in for a film that is more concerned with building an uneasy facade of reality than delivering a body count. Credit goes to Carpenter for attempting to create something beyond a derivative teen horror flick; too bad he's created a derivative psychological thriller. Sagemiller also deserves kudos for showing strength in the central performance, actually developing her character and evoking some sense of emotion as the unraveling Cassie. It's great the filmmakers try something different, but the film ends up a mixed bag and failed experiment. 4 out of 10

• Great concept, not so well made.

  F1ame2002-03-25

  I loved the concept of the film, and the script is probably a fantastic read. But I have not read it, so I will not be so fatuous to cast praise or aspersion. The main flaw in this film is the ease with which it confuses people. From reading reviews many people seem totally clueless as to what the film is about. The journey that Cassie takes from denial with subconscious guilt to acceptance and despair is well thought out and interesting. Unfortunately there is a lot of rubbish thrown in to contribute to Cassie's confused state of mind. This only serves to confuse the viewer. And these are major plot red herrings too. Like thinking this is a horror film. If you are a sharp cookie and can hold multiple thoughts in parallel you will be able to decipher the film and get something from it... most likely you will like it. If you do not concentrate however, you will drown in a sea of confusion and feel you have just wasted and hour and a half. Oh, and the first ending was sufficient... what that last bit was supposed to achieve I have no idea, but after a tough mental challenge the last thing you need is a tacked on, serves no useful purpose, post shoot, I'm gonna make you think this film is stupid, ending. Have they any idea how difficult it is to explain to a friend what the film is actually about and how they have completely missed the plot?

• *1/2 out of 4.

  brandonsites19812001-10-03

  A direct ripoff of Carnival of Souls 1998 version, only with a slightly different ending. A college student who is about to move away from her boyfriend decides to go clubbing with their friends, but after leaving the club they are involved in a mysterious car accident that kills her boyfriend. He friends are supposedly moving on, but there behavior has changed. She is being stalked by people at the club, she keeps seeing her dead boyfreind on campus, and she keeps having weird and disturbing visions. Is she going crazy? Or has her boyfreind returned from the dead? Figuring out the answer to the mystery is very easy, but the film is done with style, has a few well done and exciting chase sequences, and a very appealing cast, especially leading lady Melissa Sagglimer who is a real find in her first feature length performance. However the ending is rushed and the film suffers from a feeling of deja vu, especailly since it has been done before and done better with other films.

• Appealing lead, weeeird story

  sarastro72005-01-02

  I wanted to watch this movie because of Eliza Dushku, but she only has a smaller part in it, and her character isn't very likable. However, the main character, played by Melissa Sagemiller, is extremely beautiful and a perfect delight to look at throughout the movie. This is really nothing but a showcase for her looks and talent. She does a very good job. The story itself is, on the face of it, pretty nonsensical. After a car crash, some friends are possibly dead, but keeps on living their previous lives, while all sorts of mysterious things happen. Some bad guys are after them, but we never really find out who they are (possibly they were the ones in the other car, but we certainly don't hear anything about why they are after them). The final scenes especially seem filmically ambitious, but I can't get anything coherent out of it. The opening scene, where the bad guys (who wear some strange masks) cut a blond girl's wrist and gather up some of her blood is never explained or followed up on. Unless the bad guys are supposed to be a representation of the surgeons who're trying to pull Cassie (Sagemiller) back from the dead... but no, that doesn't seem to work. The bad guys are just bad guys; they really just mess up a story that might otherwise have been interesting. In a supernatural story about death and love and sacrifice, who the hell needs bad guys? 3 out of 10.