SYNOPSICS
Tell-Tale (2009) is a English movie. Michael Cuesta has directed this movie. Josh Lucas,Lena Headey,Brian Cox,Bea Miller are the starring of this movie. It was released in 2009. Tell-Tale (2009) is considered one of the best Drama,Horror,Sci-Fi,Thriller movie in India and around the world.
In Providence, a husband and wife die in a botched robbery; we see flickers of his last memories. His heart goes to Terry Bernard, a single father raising a girl with a rare degenerative disease. After the operation, Terry has flashes of memory from the last moments of the dead donor's life. Then, he recognizes one of the donor's killers and follows him into an alley. Within days, Terry becomes an unwilling avenger, with a police detective on his trail. Meanwhile, he begins a romance with his daughter's doctor, his moods complicated by memory flashes, the donor's deepening presence in both Terry's mind and body, and the unexplained bond among the donor's killers. Can this end well?
Tell-Tale (2009) Trailers
Same Actors
Tell-Tale (2009) Reviews
Better than you think!
First off, this is not any kind of interpretation of Poe's story; Modern or otherwise. The only thing similar is that the main character can hear a heart beat, sometimes. Suspense is held throughout the movie! It held my full attention and I couldn't wait to see what happened next. That's all I will say about the actual plot to not spoil anything. There is graphic violence, and overall the film has a depressing mood to it. Why then did I give a 7? The acting by everyone is great..except for the English doctor's! it was horrendous! Her lines sucked and she made me feel awkward. So bad that it takes away from the rest of the movie. Overall, a good flick to check out.
Don't compare this TV writer's screenplay to Poe.
******* DEFINITE MAJOR SPOILERS IN THIS REVIEW ****** Single dad Terry (Josh Lucas) lives with his young daughter Angela (Beatrice Miller) who has a rare terminal disease. Terry has had a recent heart transplant, to which he seems to have adapted healthily, but he slowly becomes consumed by the tortured persona of the heart's donor through the extraordinary heart that follows no law of nature, science or physics. The donor was a terminally ill man who'd put his name on an organ donor list and was then prematurely murdered by organ harvesters. He died watching them murder his wife too, which gives the film its impetus. Terry trudges through the film, coping with his psychoses, blackouts, and flashbacks of the donor's murder scene. He finds out the identities of his donor and those involved in the transplant. Discovering in a news article that the donor was murdered, he then seeks the bad guys. The film has its "Death Wish" moments as Terry is quietly egged on to avenge the still-unsolved murder by the annoying detective (Brian Cox) assigned to the original homicide. As the bad guys start to die, the detective has enough evidence to bring Terry in, but actually aids Terry because he has his own reason for seeing vengeance meted out. The film tends to the morose, as Terry inexplicably morphs into a schizoid, psychological mess, struggling through his new quest. Yet there are uplifting scenes of the star's relationships with his daughter and girlfriend. The dialog tends to drag. The plot and characters can become fairly unbelievable. Despite decent action several times I viewed the actors as if I were on a distant treetop, wondering at the lack of a sense of thrill or horror, and at how remarkably unscary and un-engrossing this film got. Terry carries the burden of the driven, tormented heart recipient -- barely -- yet his character's dialog is handled in a heavy-handed, insensitive manner. The acting of Lena Headey as his girlfriend Elizabeth, a caring, no-nonsense physician and lover, is enjoyable. But when Headey is forced to watch horrific surgical procedures performed on her beloved Terry she is dead-pan. She may have picked up this stoic behavior from repeatedly watching Summer Glau get blown to bits in last TV season's "Terminator - Sarah Connors Chronicles," canceled after one season. The attractive Headey started acting as an adult 20 years ago, has worked mostly in television, and as far as I can tell has had a less-than-earth-shattering career, despite the proclivity of directors to cast her in tight jeans. For the vengeance to have been more credible and make more sense there should have been a stronger, more interesting, contemporaneous tie-in to the harvester ringleaders, including the surgeon. Perhaps this part could have been turned out to be Terry's cold-blooded cardiologist. Or even Elizabeth. Ironically in the end it's revealed that the heart was ordered up by Elizabeth, who was treating Terry's daughter and became attached to her -- Elizabeth didn't want Terry to exit this planet quite so soon. She'd asked dodgy co-workers at the hospital to get her a heart, "no-questions-asked," which Terry is not too happy to hear. This ending and the final surgery was a stretch but I enjoyed it. I also enjoyed the film's rudimentary ethics question of whether murder can be condoned if it benefits the perpetuity of family. Terry seems by then to have completely adopted the victim's loss and sense of right and wrong, and it trumps his love for Elizabeth and his desire to have his daughter taken care of. Another view might be that his HEART was letting its love for its donor's wife trump everything. The rental didn't have captioning, which made Headey hard to understand, since she spoke quickly and with an English accent. This is true of some of the other dialog. Filmed in gorgeous Providence, Rhode Island. I wouldn't compare this to Poe though I admit that -- for a sadistic heart thief -- death by defibrillator is a poetic one.
A riff on the Edgar Allan Poe story
I liked Josh Lucas in The Client, so I chose this film as a rental. Don't ask me why because horror/thriller/blood is just not my thing. A husband and wife die in a botched robbery, and the man's heart goes to Terry Bernard, a single father of a daughter with a degenerative disorder. Terry keeps remembering bits and pieces from what must have been the donor's last moments. He starts being able to hear his heart beat. Then he sees one of the donor's killers and does away with him. Terry is tortured by the sound of his heart, the fact that he's killed, and the flashes of memory he has. But he continues finding the killers and getting rid of them. Meanwhile he is starting a romance with an attractive doctor at the hospital who wants to help him, but he won't tell her what's wrong. The only person who knows his secret is the officer who was in charge of the case but couldn't close it. He wants Terry to do what he can't - get justice. You may like this if you're into horror-type films. I have to say I liked the ending very much, and it really brought the level of the film up. And the story is intriguing. This could have been a bigger, better film, but given its budget, it does well enough.
I'd watch it again!
I picked this up at Blockbuster over the weekend (because I think the lead man, Josh Lucas, is heart-stopping handsome--no pun intended!), and I was quite pleasantly surprised. The Rhode Island setting is beautiful, the plot is definitely intriguing and the characters are dear. I really felt for this single father whose life has been turned upside-down and his morality compromised by the supernatural powers his angry heart holds. It's true that this Edgar Allan Poe adaptation is VERY loose; it's more "inspired by" Poe's short story than anything else, but hey, the tale inspired a great film!
Great modern interpretation
While this is not the story Poe wrote, it is a great modernized remake of it. In Poe's story, the man has committed a murder and the beating of a heart drives him insane. In this movie, the lead man has received a heart transplant and it has the mind of it's donor. It leads the recipient to specific people which helps him learn more about where his heart came from, the people that made it possible and the means by which it was obtained. Some actual recipients have been known to take on some of the characteristics of their donors and this is where this movie takes us. When a heart transplant occurs, do we question who it came from or just be happy to have it. In receiving this heart, the recipient is able to right some wrongs for the donor. I was pleased with this movie and thought it was well conceived.