The Ghoul (2016) Reviews

• Taxi Driver on a Lost Highway

  rapid_randy2017-09-10

  "The Ghoul" is not a horror movie or even one that will make much sense to the majority of viewers. If you happen to enjoy mind-bending stories with no true finish line, this is your movie. David Lynch fans will rejoice. It's quite the experience and will leave you disoriented, thinking you may have taken LSD prior to watching. It's enjoyable if you know what's in store so hopefully this review has been of some help.

• Looper.

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  Best pay close attention here, as not all is as it seems. Twisty movies can be god fun, but as is the case with "The Ghoul", they can be quite unsettling. What starts out as a standard police drama slowly melts into an endless, dark, psychological journey, where everything is gradually turned upside down. Not an easy watch, this: a dreamy, hallucinatory, moebius strip thriller with an agonizing performance from the spiralling lead (the excellent Tom Meeton). Filmed in dark, bleak confines, "The Ghoul" works, not inspite of it's micro budget, but because of it - relying on claustrophobic interaction from the players. Fans of linear cinema need not apply, but those wishing for a jarring, thought-provoking experience will be rewarded.

• A policeman feigns mental illness to track down a double-killer

  ian-bell922017-11-01

  Gareth Tunley draws top-notch performances from a distinguished cast, while spinning a story about mental illness into the hunt for a double-killer. How he managed it on what is obviously a small budget I have no idea. The word here is quality, from everyone involved. Tom Meeton is a crumpled detective landed with trying to find a double-murderer. A couple have been shot in their own home, but appear to have run towards their assailant, even when shot several times? Why would they do that? Meeton's flawed detective Chris goes undercover to try and find the chief suspect. But as Chris gives a psychiatrist a cover story, only to secretly sift files in her office as he looks for leads, he starts to question his own role in the case. He professes to be an unemployed man who has no life, and when we see him marooned in a poky flat, being brought bottles of vodka by his partner/best friend it seems his cover story is being played by the book. But as his search for the killer takes him to a second doctor, it appears there may be more than one murderer in this beguiling journey into our troubled anti-hero's psyche. This is a low-budget film, but one with considerable talent behind it. The haunting soundtrack by Waen Shepherd is almost a character in its own right, and as Chris struggles to keep his own sanity he appears to be becoming the cover story he has created for the purpose of trapping the killer. Or as an inquisitive party-goer suggests, maybe he is just an ordinary lost man, and the shrinks have made him think he really is a policeman. As he draws closer to his main suspect called Coulson, his quarry turns the tables by suggesting the two shrinks, Drs Fisher and Morland are in fact the guilty parties here, and they are out to steal the mind of an unsuspecting patient as an exercise in psychological body-snatching? Is Coulson mad, or has he in fact stumbled upon the real culprit/s? There are no easy answers to this haunting mystery, but the performance by Meeton in the lead role is one that will stay with you long after the credits, while the rest of the cast never strike a false note. It would be good for once, just once, if the UK's so-called marketeers would pull their fingers out of their backsides and put some muscle into promoting a minor gem like this instead of throwing their weight behind yet another James Bond blockbuster made for $200m. Just a thought, people, just a thought. Go see it. It's well worth the effort.

• Lack luster

  davidsaid2017-09-09

  Sorry folks, its great to do a project like this film but it kind of falls down flat. I believe a good vision of depression or psychosis must begin by showing us the character in a balanced frame of mind. This should help us perceive what they will eventually lose, giving us a greater understanding of their slow/fast decline from reality into somewhat darker territories. Without that a film like this is just an abstract nightmare for a character we have little connection to. As a consequence of this the film feels a little too abstract but without the depth to carry that abstraction. I like the synopsis, it could be a fine film but it needs some work. Perhaps what would offer this film a better reaction is if it were presented in a different manner. I would do a serious edit, make it into a half hour short and issue it as a piece of art film rather than a feature.

• More Planted Glowing Ratings on IMDb

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  Researching this film before watching it, unfortunately convinced me it would be worthwhile, however, it's clear now that I was taken in by IMDb reviews that were planted to give the movie an overall favorable rating. My instinct after the first 15 minutes was to turn it off, but I gave it the benefit of the doubt since many British independent films do tend to start slow and build to a thoughtful and meaningful result. Without giving anything away, do yourself a favor and look up the definition for a Mobius strip and then imagine a very abstract story revolving around that meaning with a multitude of loose ends that are never explained and you'll have saved yourself nearly an hour and a half of boredom and frustration.