The Great Raid (2005) Reviews

• Pleasantly surprised...

  eckmanmj-12005-08-18

  I knew almost nothing of this film before I saw it but based on a couple comments I had heard, I went with my dad to see it tonight. Some people commented on how slow the movie is during the beginning, and although that is true, it is there to give you time to develop a story and actual care about the characters. This is definitely not a movie for people with near zero attention spans from the MTV Generation. This movie also doesn't rely on gimmicks such as CGI or what I call "shaky camera syndrome" where the filmmakers insist on making the audience nauseous by running around with handy-cams (ala Bourne Supremacy). I really enjoyed the story and thought all the roles were well acted. The final raid scene is amazing. They did a really good job of explaining exactly what they wanted to do beforehand and when it actually happened, you understood where everyone was running to and what they were trying to accomplish. Excellent movie, and highly recommended. Definitely one of the best movies so far of the year, I'm just sad that almost no one has heard about it and the movie has received so little promotion. I doubt this picture will even make $20 million here. And one more thing, I thought it was a very tasteful and respectful thing to do at the end during the credits where they showed archival footage of the real soldiers being rescued.

• Small tale told in a big way

  eichelbergersports2005-08-03

  While Hollywood has gone after the Nazis and the European campaign in World War II over and over again, ad nauseam, little has been produced depicting the Pacific Theatre or the thousands of Americans and others who perished there. In fact, only a handful of motion pictures have touched on the subject over the last two decades, namely Steven Spielberg's "Empire of the Sun," Terrance Malik's "The Thin Red Line," and the Nicolas Cage bomb, "Windtalkers." The best film in this genre was probably 1957's "Bridge On The River Kwai," which won Oscars for David Lean and Alex Guinness, among others, but that was almost 50 years ago. Now John Dahl ("Rounders," "Joyride," the TV series "Tilt") has shed some light on a little-known rescue attempt in the waning days of the conflict in the Philippine Islands. "The Great Raid" is a fine little film, smart, patriotic and fairly historically accurate. The film begins with a crisp narration (accompanied by actual film footage) of the quick successes of the Imperial Japanese Army in the days following Pearl Harbor. Gen. Douglas MacArthur - thanks to Roosevelt's decision to devote more to the European effort through the Lend-Lease to Churchill program - is forced to evacuate the Philippines and retreat to Australia. Meanwhile, thousands of American troops are trapped by the swift-moving Japanese forces on the islands of Bataan and Corrigidor and are compelled to surrender. While WWII German brutality is everywhere in motion picture, few have addressed the stark horrors of the Bataan Death March. Even this movie skirts the terror with a simple voice-over in filling in the background story of a group of surviving prisoners held for over three years. Receiving word of mass killing of American POWs by the Japanese, top brass in the Pacific orders a raid on a camp still behind enemy lines, led by Army Ranger Lt. Col. Mucci (Benjamin Bratt, "Law & Order) and Capt. Prince (James Franco, "Spiderman," "Spiderman 2"). Military minutia abounds with the planning and execution of the assault, which pits a handful of rangers against over 200 battle-hardened Japanese troops, led by sadistic Maj. Nagai (Motoki Kobiyashi). The movie also shows the strong relationship between the Americans and Filipinos which was not the greatest in the years after the Spanish-American War, but was cemented against the common Nipponese enemy. Nice composition between rangers, prison camp and the occupied capital of Manilla, where civilian nurse Margaret Utinsky (Connie Nielson, "Gladiator," "One Hour Photo")is working with the Filipino underground resistance. This is no "Saving Private Ryan," and the acting sometimes leaves a bit to be desired, but the strength of the story, the fact it was inspired by true events, and the historical importance of the film, make this one a must-see, even for casual fans of the genre. It will not make much money, but it was very important that it was made.

• Good movie, good ensemble cast

  jackov2005-08-13

  Old fashioned movie with an ensemble cast instead of A list powered star who uses the movie as a vehicle to command top dollar is rare these days in Hollywood. That's why this movie worked. They assembled a great cast of fine, top notched actors together from the USA and the Philippines but no "superstar". They all portrayed their characters and meshed out the story without any modern day politicking and criticism. I don't know about you but that is truly refreshing in this day and age of movies. I'd recommend this movie to anyone. Major criticisms seem to be that there's no deep complex characters and no protagonist. I think that is a positive for this movie because the POWs are the main characters themselves. The men and women just did what needed to be done for their countrymen and their country. There was deep motivation because someone had been scarred when they were 15 and thus acts this way. Most of the characters are real life people and you can't focus on one or two characters like in a fictional story that someone wrote. It's too bad this movie won't do well at the office because it doesn't cater to the teens and their expendable income. The limited wide release also won't help it but I know for those who watch it they'll be touched. They'll know that there were and are sacrifices being made to ensure that the country they live in are safe and protected.

• Very well done and educated snapshot of a country at war

  mercybell2005-08-12

  This was a great film, and a nice escape to reality from all the superhero, fantastical, and over-hyped movie star fare we've gotten this summer. The biggest accolade I can offer this flick is that it sticks to history in ways rarely seen in Hollywood films, and even then it's not dry or boring, not inaccessible to those not particularly versed in history. It shows beautifully how exciting and thrilling real history can be. The liberties it takes aren't too offensive (I can't say much without spoiling the story, but although the "romance" in this film didn't exist, it's not particularly gratuitous or hard to believe, and there were many wartime romances between people who met in the occupied Philippines), but on a whole they valiantly stuck to the stories. It doesn't revel in clichés or surrender to the cheap thrill of pyrotechnics, which so many war films do. Since it looks to true events for inspiration, there's a happy lack of predictibility and "been there, done that". Not to say that there are any talk-of-the-summer plot twists, but it keeps you on your toes because you're dealing with life, and is often surprising. The film brings you down to the level of its characters, and it doesn't treat you like an outsider. As a Filipino American and history buff, I was thrilled and proud to see so many Filipino actors in the film (particularly the wonderful -- and gorgeous -- Cesar Montano) and to finally see this little known but mammoth part of WWII recalled on such a public scale. The film takes place over 5 days in January, as the Rangers prepare to take the camp. Its three interconnected story lines -- the prisoners in Cabanatuan, the Rangers, and the underground movement in Manila (including a nurse played by Nielsen who smuggles in Quinine to prisoners) -- give a fairly accurate and well rounded portrait of the landscape of war in the Philippines, although by the end of the film you do feel as if you've only seen the tip of the iceberg. The acting is lovely. There aren't any "Oscar" scenes or the like, just solid ensemble acting, and the leads, Benjamin Bratt, James Franco, Cesar Montano, and Connie Nielsen, are excellent for what they're given. The writing doesn't try to over-dramatise or "soapify" anything, it stays level headed and just plays. It felt a lot like a less ridiculous "Gettysburg" or a much tamer "Black Hawk Down" or a much MUCH shorter "The Longest Day". Surprisingly, for a war film, there are relatively few "what I'm here for" speeches, which is refreshing. The ones it does have aren't particularly irksome or obnoxious. It's not particularly violent (except for the unnerving opening scene -- a recreation of the Palawan massacre -- and one scene in the camp, I'd have given it a PG-13 rating), but it IS disturbing. And although they hardly began to show the full extent of the atrocities committed, the point is made clear, heartrendingly I might add. Two scenes, involving Filipino underground workers and another at the camp, had me in tears. Honestly, this is NOT for people looking for a testosterone fueled action flick. The action is strictly historical (except for a hand to hand fight at the end which I doubt happened). At times it feels like a documentary, and other times it's like watching a memoir. Neither is this film the "rah rah" flag waving fest the advertising makes it out to be (thank goodness). In fact it pays great homage to the work of the Philippine people, underground resistance (a portion of the film which seemed a bit out of place in the film but which had me enamored and on edge), and guerilla fighters, all of which touched me deeply. As a Hollywood studio film goes, it's an academic, nearly blow by blow accounting of the events surrounding the raid on the Cabanatuan prison camp, but because of the nature of the story and not because of empty manipulation, it is intense, inspiring, and exciting. Don't expect the next "Paths of Glory" or "Bridge on the River Kwai" or that calibre of film-making, but I hope that this does well because in its own way it's different from so much of the mindnumbing junk that is out there, it attempts to portray a war story smartly, chose to tell a story that doesn't spell out big money, and without being overbearingly in-your-face patriotic, it pays homage to and shares the experiences of the American and Filipino men and women who endured the hell that was World War II in the Philippines.

• A moving, inspiring film, but.........

  cecilelogan20002005-09-17

  My name is Cecilia and being from Manila this film is very personal to me because my grandfather sacrificed his life during WWII. According to eyewitness accounts, he was tied to a post, doused with kerosene and set on fire. I am watching this film to somehow pay tribute to him and those who selflessly gave up their lives to ensure a free and humane future for all of us. I felt though that the film underestimated what we Filipinos really went through during the war. It would have been just to include the other atrocities perpetuated by the Japanese: babies thrown in the air and caught with bayonets, women brutally raped and breasts carved out, or the massacre of approximately 100,000 unarmed and innocent civilians during the battle for the liberation of Manila on the first days of February 1945. Nevertheless, I am grateful for director John Dahl for shedding light on a chapter in our history that many people hardly know about , specially the present generation, The Bataan Death March.