The Last Castle (2001)

The Last Castle (2001)

Robert RedfordJames GandolfiniMark RuffaloSteve Burton
Rod Lurie


The Last Castle (2001) is a English movie. Rod Lurie has directed this movie. Robert Redford,James Gandolfini,Mark Ruffalo,Steve Burton are the starring of this movie. It was released in 2001. The Last Castle (2001) is considered one of the best Action,Drama,Thriller movie in India and around the world.

Robert Redford stars in this action drama as General Irwin, a respected three-star tactician whose career ends in disgrace when he's court-martialed and sent to The Castle, a maximum security military prison. Irwin quickly butts heads with the facility's autocratic warden, Colonel Winter (James Gandolfini), who runs his command with an iron fist, even killing prisoners when he deems it necessary. Irwin rallies his fellow convicts into a rag-tag army and leads them in a revolt against Winter, an action that the warden is ready to repel by violent means.


The Last Castle (2001) Reviews

  • Redford has the ability to fade


    Redford's ability to fade into a character is profound. Sometimes an actor who has been in the business a very long time will become larger than any role he plays... John Wayne for example (with a couple of exceptions). He becomes Eugene Irwin in this movie. This movie isn't about Redford's character, just like "The Legend of Bagger Vance" isn't really about Bagger Vance. The Last Castle is about honor to one's self and honor among soldiers, even if they are prisoners. James Gandolfini's portrayal of a colonel who knows nothing of this honor or brotherhood is excellent. He makes you despise his character. Colonel Winters is a deeply disturbing study of corrupt power and jealousy of others' glory. A fine ensemble cast of characters make this movie well worth watching.

  • A good if predictable movie.


    The Last Castle is a fine if somewhat predictable jail movie of redemption and determination against the odds. Having seen the previews I thought nothing of ever seeing the film, but saw it on the shelf in the video store and thought it would pass an evening. It did that very well, and is worth seeing for at least one reason. Although Robert Redford puts in a solid performance, James Gandolfini steals this movie with his simpering, bully-boy performance. Despite knowing from the opening scene that he will undoubted lose against Redford's disgraced general, Gandolfini's depiction of a man in authority but with little power is very subtle and worth watching. The rest of the film has some clever moments, but you see everything coming - Redford inspiring the other prisoners, the inevitable conflicts and the finale. The Last Castle is worth seeing once.

  • under rated


    This was probably one of the most under rated movies of 2001. I didn't have many expectations for it either. I am not a Robert Redford fan and I was not familiar with the work of James Gandolfini, but because I am an action fan and the trailer made this out to look like a not to bad action movie I decided to pick it up. The problem with most action movies that run over two hours is that they usually become boring and bogged down with confusing plot twists that ruin the entertainment value. But this movie never once became boring, my eyes were glued to the screen the whole time. Redford and Gandolfini lit up the screen with red hot performances that kept you at the edge of your seat. This movie has everything you could ask for in an action movie, strong performances, strong script, beautifuly directed action sequences and dare I say it, a few touching moments. Redford plays a war hero who is sent to a prision for war verterians. He then plans an uprising against the corrupt prision guard. Your heart will instantly go out to a shy inmate who was accused of beating someone to death with a hammer. The film also has some of the most mouth dropping action scenes that I've seen in a long time. I couldn't believe what I was seeing. So whether you are a fan of prision movies like The Shawshank Redemption or Fortress or a hardened action fan this movie will not dissapoint. I rank this film as one of the best of 2001 along side Made.

  • Highly unlikely, but entertaining nonetheless...


    A prisoner's fantasy: decorated U.S. General Robert Redford has been Court Marshalled for disobeying orders during wartime--which resulted in the deaths of eight soldiers--and is sent to a prison for violent criminals (!). He immediately gets on the wrong side of warden James Gandolfini and rallies the inmates to take control of the yard. Fairly typical genre picture with all the usual details, including the stuttering innocent whose bad treatment becomes a catalyst in the warring sides. The film is well-cast and has some fine passages, yet the heavy symbolism (with flying flags, chess moves and endless talk of castles) comes off as self-important in a movie which uses its entire second half to allow violent criminals to run roughshod over security. Redford gives a modest, self-effacing performance--he's so noble he's like visiting royalty; Gandolfini plays his Colonel like an offended child, affecting a soft but precise, lispy voice, giving the one-dimensional role some unexpected subtext. The handsomely photographed film looks great and works its way slyly on the viewer until all defenses are down, but in retrospect its earnestness seems woefully silly. **1/2 from ****

  • The Farcical Castle


    The Last Castle was a good movie - until it got pillow-fartingly ridiculous. A military prison. Warden: Tony Soprano. (Anyone who writes to me, explaining the distinction between an actor's character name and his real name will get a reply explaining the distinction between hebetude and tongue-in-cheek.) New inmate: profusely-decorated 3-star general Robert Redford. Theme: Battle-theorist (Tony, battle memorabilia collector) versus battle veteran (Redford, whose field credits include the Gulf and other inane political coups). Premise: Inmate Redford takes a dislike to the way Warden Tony disses his marine and army peeps behind bars, so launches a prison revolt, inmates rallying behind him due to his iron-fisted reputation and rakish good looks. Let the farce begin. Requisite character stereotypes abound: Aguilar, the dim bulb; Yates, the amoral prison bookie; the fallen-from-grace doctor, the big black guy, the big white guy, the big guy of uncertain ethnic descent and the token Latino guy. Redford coaxes The Patriot from this ragtag band of uncertain heroes, twisting Tony's panties into cat's cradles in the process. For we who came to see Tony Soprano bust a move other than his renowned Gansta Rap, we were not prepared for the impotent swab his warden character turned out to be - even as a 'character actor playing against type', Tony was reined in by director Joe Lurie to such an extent that even when the situation warranted explosive retaliation during the siege, Tony simply sulked around his crumbling office in a prissy rage. Saluting is not allowed amongst prisoners in a military prison - something to do with loss of rank and lack of hairspray. Redford's clichéd one-liners evokes inmate-saluting soon enough, causing big trouble in Little Italy. Which leads to Redford's punishment: to bare his virile, octogenarian man-torso (we're talking' carpet-chest that makes Paul Stanley's look like a bowling green) and to move a pile of rocks from here to there. With his blond ambition and undeniable desirability to prison men of all persuasions, Redford turns this punishment into yet another spectacle with which to win over the hearts of his fellow crims. All the philosophy, chess-playing and tough love comes from the convicted criminal in this film - Redford - so the viewer is cajoled into rooting for the WRONG side. The attempts at tear-jerking and patriotism and brotherhood are completely misplaced by the fact that this bake sale is held - in a JAIL. And the good guys.are the bad guys. When was the last time you supported a prison revolt, replete with murder and destruction of taxpayer property, cheering on the cons in their noble cause to usurp authority? Redford uses Tony's own armaments against him; the water-cannon, the trebuchet (the wha-?). This last weapon turned up out of nowhere, like Monty Python's Trojan Rabbit, when the plot had degenerated to guys running around and burning things, and the director thought no one would notice the appearance of a construct that literally cannot be hidden anywhere on prison grounds. (The Great Escape this ain't.) Checkmate is to capture the warden's American flag and fly it upside down, which denotes a distress signal, a concept which they make abundantly clear through the dialog of about twenty people. Okay - I heard you the SEVENTH time - so if the American flag winds up flying upside down, nobody's a terrorist or anti-American - sheesh! To cap this farce with the seal of disbelief, these guys don't even want to escape - they just want another warden. I got news for you, guys: the warden may change, but the JOB-DESCRIPTION remains the same, i.e. it's his DUTY to retain your low self-esteem, disorientation and to KEEP YOU IN JAIL. Changing the management amounts to nothing more than amending the names on the doors and letterheads. Of all people, you military perps should understand that in contravening The System's laws, you yourselves have empowered The System to isolate you from it. A prison is NOT a democracy - at least, not the last time I was in one. Since when do we grant prisoners the expertise to diagnose anti-social behavior in a warden? Or the inalienable right to OVERTHROW the prison if they "don't like the conditions"? Yeh, jail sucks - it's meant to! In the final scene, Redford flashbacks to his Sundance Kid days, as an army trains their rifles on him in the rec yard, waiting for the word from Don Soprano to bake his ziti. Redford carries the folded flag stolen from Tony's office, and word on the street was that he was gonna raise that puppy upside down, thereby broadcasting Tony's incompetence to the Five Families. So Tony must stop him at all costs; he faces Redford, staunchly: 'Give me back my flag!' Redford: 'It's not 'your' flag.' Ouch! - now that was so patriotic, it made my thighs supple. Sundance strides to the flagpole and resolutely starts raising the flag, as Tony is screaming at his men to shoot him down - but of course, each rifleman's dreams were now rife with frolicking in that snowy-white chest-jungle with the blue-eyed avenger-general who defied a mob boss. They lower their weapons - and it is up to The Jersey Godfather to whack Boy Redford. Of course, he is arrested immediately by his lieutenant; something to do with The Law - The Law which they suddenly want to adhere to, after not giving it a moment's thought during the last hour's siege. Camera pans up the flagpole and - the flag is flying, proud and true - RIGHT SIDE UP. And the convicts salute it. And the guards salute it. And the music swells, as Redford dies with a smile, flag fluttering in battle-smoke breeze, cheese glutting all Exit doors. Probably the best advice one could offer to someone contemplating viewing this movie - Fuggedaboudit! (Movie Maniacs, visit:


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