The New World (2005) is a English,Algonquin,Inuktitut movie. Terrence Malick has directed this movie. Colin Farrell,Q'orianka Kilcher,Christopher Plummer,Christian Bale are the starring of this movie. It was released in 2005. The New World (2005) is considered one of the best Biography,Drama,History,Romance movie in India and around the world.
Captain Smith is spared his mutinous hanging sentence after captain Newport's ship arrives in 1607 to found Jamestown, an English colony in Virginia. The initially friendly natives, who have no personal property concept, turn hostile after a 'theft' is 'punished' violently on the spot. During an armed exploration, Smith is captured, but spared when the chief's favorite daughter Pocahontas pleads for the stranger who soon becomes her lover and learns to love their naive 'savage' way of harmonious life. Ultimately he returns to the grim fort, which would starve hadn't she arranged for Indian generosity. Alas, each side soon brands their own lover a traitor, so she is banished and he flogged as introduction to slavish toiling. Changes turn again, leading Smith to accept a northern-more mission and anglicized Pocahontas, believing him dead, becoming the mother of aristocratic new lover John Rolfe's son. They'll meet again for a finale in England.
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Let me start off by saying that I was introduced to the films of Terrence Malick in 1998 when I watched and was blown away by 'The Thin Red Line.' It is one of the best war movies ever made and while I can rant about it at length, that review belongs on a different page. It was with great anticipation that I waited for 'The New World.' I was lucky enough to get tickets to an advance screening and the theatre was full of people like me. Their take on the film was almost as interesting as the film was. 'The New World' is a film that will draw out one of two very powerful emotions: Love or Hate. I really don't believe there is a middle ground in this case. I think it is quite possibly the most beautifully photographed film I have ever seen. It is astonishing. The score from James Horner is, in my opinion, his greatest work. He's a wonderful composer but he has exceeded himself on every level. This is a movie that can be watched like art (because it is) and listened to as a symphony (it might as well be one). Very few movies leave me stunned and 'The New World' is so luscious that I think it is worth the journey, even if it is only to look at how beautiful it is and listen to how glorious it is. Is that a superficial way of looking at things? Perhaps, but they are the film's two most brilliant qualities. 'The New World' does have problems and I think it falls very much into a 'buyer beware' category. Malick's movie is long -- very long -- and feels every moment of it. I don't mind these things because I found it enchanting; many in the audience with me did not. These are not people who are 'dumb,' or who 'don't get it.' They are people who are used to 99% of the films that you will see. 'The New World' is very self-indulgent at times. No one can reasonably defend the pace of the film. I want to and I can't. This is a movie so full of substance that it is detrimental. It is so rich and textured that it would be hard to say where things could have been improved, but aside from the first forty minutes which deal largely with the question of whether or not the Europeans can survive the first winter or not, the dramatic 'action,' that is, the engine of a script that pushes one scene into the next, is idling at best. 'The New World' has a plodding pace and it took me on a nice quiet stroll that I enjoyed immensely. I can not, in good conscience though recommend to the man on the street that he go to see it. If less than a third of the theatre I was in walked out, I'd be stunned. I lost count because so many people left. Mostly the middle hour and a half of the film is to blame. Scenes drift from one to the next -- they're stunning and textured and personally I enjoyed them -- but they involved a lot of hanging out. Two people hanging out in the woods. I understand that the film has deep meditative and philosophical meanderings about man's relationship with nature and how one impacts the other. I get it. But a lot of the love story is about two people hanging out in the woods. All the time. If one of them had said 'Let us go watch the grass grow for the afternoon,' it would have been the most honest line in the entire film. It is the only thing I will fault Malick for here because it really does kill the film for a lot of people. His intelligence should not be questioned. I wish only he'd tried to focus the script a bit more and been specific rather than general. Can two people from different cultures be together? We get it already. We got it an hour ago. Oh, more grass growing ... must watch ... ha! Forgive my little joke. The argument to be made though is that this film has not been made for everyone (the studio is no doubt surprised to learn this and will be scrambling to recover their money -- they did a good thing in making it but they're going to lose their shirts). It was made by Terrence Malick for Terrence Malick. I'm glad to have seen it but I spoke with twenty people who were not. There will be constant arguments on the user boards here at the IMDb. The film is going to have rabidly fanatical supporters who think everyone else is just too stupid to get it. And it is going to be criticized by many, many others who died a thousand deaths just trying to sift through the movie. Two final thoughts: the first is that I hate myself for having to say anything negative about Malick or his film. He's a special film-maker and his films make it worth going to the theatre. 'The New World' is great but flawed and it is dishonest for anyone to pretend otherwise -- such behaviour is deceitful and pretentious.Thought number two is that although the film is equal parts challenging and rewarding (as great movies should be) it is especially important in the case of 'The New World' to see it in the theatre. It is so majestic in scope that I don't believe the greatest home theatre can do it justice. It is truly epic in its cinematography and score. If it doesn't win Oscars for both we will have witnessed a massive artistic injustice. NOTHING this year, NOTHING has come close to being a threat to 'The New World' for either of those two categories. Appreciate them as they were intended to be seen.
This film was everything I had hoped for and infinite volumes more. Writer/Director Terrence Malik simply refuses to see film-making as anything short of an art form and handles his brushes (not to mention every frame) with the tender care and command of an artistic master. The warnings are true... if you're looking for standard Hollywood fare, then run away. However, if you were trying hard to remember what film-making is supposed to be about, then this film is an absolute MUST SEE. While it is not forcefully spiritual in its aural narrative, I found this film to be a deeply religious experience in ways that words fail to express. True to form, Malik affords the world of this film as much character as the humans themselves possess. Long stretches of nothing but ambient, nat sounds. Stunning snapshots of the peripheral influences to each scene (i.e. blowing grass, running streams, towering trees). Even an ending title sequence that lives beyond the narrative... breathing the last breaths of a tale that has managed to regularly transcends words. Sharp. Detailed. Purposeful. Bold. Brilliant. I have not been this happy about a film in a very long time. Well worth the money. Well worth the time. You will leave better for having seen it. I could not recommend it more!
First, let me applaud this film. I have been waiting for Terrence Malick's fourth film ever since I saw The Thin Red Line. Arguably, Malick is one of the most adept and deliberate filmmakers right now. The New World is nearly flawless, and the beauty of Malick's direction adds to the argument that film can still be considered aesthetic. Much has been lost in the last 30 years, but Terrence Malick sticks to what he knows. What some people may complain about this movie are the long silences, the action-less movement, and the poetic voice over. This is what Malick does. He is a modern transcendentalist. What he does with film is comparable to what Emerson did in writing. The color is naturalistic, and the sounds are earthly. It helps that Malick uses natural light for his shots, giving the scenery more life and texture. As for the substance of the film, what isn't pantomimed in subtle gestures and movements is brought to life with flowing poetic voice over. This goes all the way back to Badlands for Malick. But here, we get varying minds contributing. There are some moments in this film when the viewer has to understand the characters by their facial expressions instead of their words. I think that will be hard for a lot of people who are expecting a more vocative and kinetic film. As for the acting, I was very impressed with all involved, particularly Q'Orianka Kilcher. This young woman played the part of innocence beautifully. I also have to give some credit to Colin Farrell, considering I never expect much out of him. Unlike some of his other movies, he was not in it to steal the spotlight. Everyone played their parts without any excessive over-acting. This movie is a historical drama, but I feel like the history aspect is merely a backdrop for the Terrence Malick play. In his production, the flowing waters and the forest canopy are the actors, and the gentle reflections of troubled minds are the words. Truly, this is an incredible film. I have waited a long time for Terrence Malick to wow me again, and he has done exactly that. If you want a movie that tears at your heart strings, then go see something recycled like Brokeback Mountain. If you want a transcendental experience, one that challenges you to go deeper than the surface of the film, then The New World is waiting.
I finally saw "The New World" yesterday. It was quite an experience.This film is miles away from any other that I've ever seen before. It's a feast for the senses. Senses are the key to this movie. You either let them guide you or you've missed the whole point. I cannot blame anyone who has complained about how slow, boring or even irritating this picture was. This is not the kind of movie that can be appreciated by intelligent reading. Neither does it belong to the category of highbrow artistic films that aim to an intellectual elite of an audience and shut out the rest of us, poor lesser mortals. You don't have to "understand" this film, you have to "feel" it. Just open up your heart and let the emotions carry you away and elevate you. The plot is simple and far from original. Adam and Eve, paradise lost, human greed and personal ambition coming face to face with the beauty of nature and the joy of pure living. Clash between illusion and reality, dream and fact. The originality of this film lies in the way that these themes are depicted. Muted glances, forbidden touches, light and darkness mingle with the murmur of the river and the rustle of the wind the breath of mother nature. Dialogs are scarce. Mainly voice overs run through the whole picture. I found them neither irritating nor useless. They are uttered in the form of inner thoughts, secret longings, muted prayers and they add to the dreamlike effect of this movie. Acting was actually very good. That was an extra bonus for a film like this, where actors are meant more to help the story and the images unfold, than astound us with their memorable performances. The actors' success in this movie lies in their ability to express their feelings through minor gestures, glances and body language. Q'Orianka Kilcher is a magnificent creature that embodies the essence of nature and beauty. She bends, she submits to the inevitability of assimilation but she never loses her freedom of spirit. Farrell's sad eyes speak volumes of emotion that could never be expressed in spoken words and Bale's kind-hearted demeanor is just perfect. "The New World" is like a poem. What I got out of it was a bitter-sweet taste in my mouth, a swirl of images and sounds in my mind and a wealth of emotion in my heart
A quite-literally breathtaking 120 minute montage of sights and sounds evoking the first British contact with North America. The narrative is minimal, even inconsequential, as perhaps it should be in a story that is predominantly about the human need to communicate even when language is a barrier rather than a vehicle to understanding. The performances are universally outstanding, the cinematography and editing award worthy, and the use of 'Das Rheingold' the most inspired use of Wagner ever in a movie. 'The New World' is a genuinely poetic, lyrical, visually stunning and heartbreaking movie. About as flawless as cinema gets. For those still unsure of my feelings, I loved this movie.