SYNOPSICS
The World's Greatest Lover (1977) is a English,Spanish,French movie. Gene Wilder has directed this movie. Gene Wilder,Carol Kane,Dom DeLuise,Fritz Feld are the starring of this movie. It was released in 1977. The World's Greatest Lover (1977) is considered one of the best Comedy movie in India and around the world.
In the early 1920s Hollywood, Adolph Zitz, who surrounds himself with yes men, wants his movie studio, Rainbow, to be the greatest in town by making a movie called the "World's Greatest Lover" and finding that next star to outshine Rudolph Valentino as the renowned screen lover of his time. Mild mannered and somewhat hapless Rudy Hickman dreams of being such a movie star, he daydreaming about it so much that he is unable to hold onto his bakery jobs. With his supportive but highly hysterical wife Annie Hickman by his side, Rudy, using the stage name Rudy Valentine, pulls up stakes from Milwaukee and heads to Hollywood to try out for that part. He ends up getting a screen test like the thousands of other hopefuls flooding Hollywood for the chance. Annie, who loves the movies herself but who is naive from not having had much exposure to the world, has ulterior motives for going to Hollywood. Both Annie's Hollywood mission and Valentino himself will affect what happens to Rudy in ...
The World's Greatest Lover (1977) Reviews
Beautiful Love Story, Gene Wilder Stylized Perfection
This production was built around the search for the next Rudolph Valentino. While this work has become dated, it was filmed as a pseudo-retrospective at the time, so it was already "dated" the day it was filmed. This is a total Gene Wilder vehicle. He wrote the screenplay, directed the movie, and was the movie's sole credited producer. He is also THE star of the movie. He does share the limelight with Carol Kane (a pure delight, as usual), but this was one of Wilder's brightest moments. By this time, the world realized they had a comedic genius on their hands and after this work Wilder pretty much had the Midas Touch for a while. Kane plays Annie Hickman, the world's greatest Valentino fan. Wilder portrays a Milwaukean baker who is at the end of his rope. His idiosyncrasies are so severe, he finds it impossible to maintain employment. Upon learning of a contest held by Rainbow Studios (NOT the #1 studio) to find the next Rudolph Valentino, Rudy Hickman just "knows" this is his ticket to a better life. His wife leaves him to go find Mr. Valentino. But once Hickman is in the middle of it all, he realizes his wife is what is most important to him and he sets the works in motion to woo her away from Rudolph Valentino. The formula makes for some of the best heart-warming entertainment that's hit the big screen. It's endearing and funny in its bittersweet malaise. It also goes a long way towards showing what CAN be done with no effects and no locations beyond the Studio Backlot and a few, cheap but decent sets. While it is frayed about the edges, this classic favorite is one ripe for a DVD restoration...perhaps even a 2-disk director's cut for those of us fans who have BEEN fans since the beginning. It rates an 8.8/10 from... the Fiend :.
A fetish for popping eyeballs
Interesting that 20th Century Fox gave Gene Wilder a second chance to develop his talents as a writer-director-star (and producer AND songwriter this time) after "The Adventure of Sherlock Holmes' Smarter Brother" left most critics indifferent. "Brother" wasn't terrible, and it reportedly grossed twenty million dollars, but as comic movie-making it was a botch (it had too much manic energy for one picture). Here, Wilder plays a Milwaukee schnook who travels to Los Angeles in the 1920's with his new bride to audition for Rainbow Pictures' answer to Rudolph Valentino. Wilder doesn't float gags around, he hammers away at them without much subtlety or finesse; he loves a good burlesque gag and he's fond of old-fashioned slapstick, but he needs more soft edges (the best scenes are the ones featuring Carol Kane, who is handled gingerly playing the wife). Lots of running jokes (bad ones, like Gene's character being named Rudy Valentine, that simply don't pay off), and too much of Dom DeLuise, bring the picture down. There are some laughs: Gene making eyes at a plain Jane on the train, an overflowing bathtub in a posh hotel. Wilder certainly has lots of ideas, but the results are more miss than hit. ** from ****
In Reference To The Bashers Of This Film
This movie is a perfect example of a film that divides people into 2 groups.. Those who get the joke and those who don't. People usually attack what they don't understand. This film has a comic style and charm that has been unparalleled since. It's a GREAT comedy.. and a GREAT romance. It's a perfect date movie. A perfect movie for someone who wants a good lighthearted laugh. And if your perspective is too tense, maybe this movie isn't for you, and you may need counseling. It is an injustice that Fox has kept this film, along with Wilder's 1975 classic "The Adventure Of Sherlock Holmes' Smarter Brother" on the shelf since the early 80's, having never seen the light of day on DVD. Yet they feel "Big Momma's House" was worthy of a special edition. I find it odd that my two all time favorite romantic comedies have never been released on DVD. The other being Carl Reiner's "The One And Only", which Paramount has sat on since the early 80's as well... Yet, "From Justin To Kelly" is in nearly every video store in the country. There is no Justice in the world. Maybe those who took the time to bash this will enjoy "From Justin To Kelly", I'm sure that one is watered enough for them to "get".
Another great and funny movie from Gene Wilder
Back in April of this year I heard that The Worlds Greatest Lover was going to be on AMC and I was like yes I'm finally going to get to see this movie, I'm a big Gene Wilder fan so.....yeah, anyway the only problem was that it was going to come on at 3 in the morning on a Monday which was a school night for me so I asked my mom to record it for me, so when I came home from school I saw it and thought it was awesome, two or three months later I ordered the DVD off of Barnes and Nobles and I now have it on DVD what I had heard from this movie was that Gene not only stars in this movie but writes, directs, produces, and surprisingly wrote a song for the film as well, I think Gene's take on Rudolph Valentino was pretty cool and I think he came up with some clever ideas like "histerical laryngitis" and sticking your tongue out or twisting your words around whenever his character is nervous. I also thought Carol Kane was wonderful as Rudy's wife Annie and Dom Deluise was as funny as usual as movie mogul Adolph Zitz, one thing you probably found annoying was Gene Wilder's constant screaming and going into hysterics all the time but he does it brilliantly, plus the character of Rudy was very high-strung kinda like Leo Bloom right? so if you like slapstick comedy or if your a fan of Gene Wilder, I highly recommend this and I'd say its another one of Gene Wilder's forgotten films and its a great one to look out for, I'd give it a 7.5 out of 10.
Carol Kane is the sole survivor.
I just saw this recently on DVD. I hadn't seen it since it was first released and couldn't remember it that well. Well, I've reacquainted myself with it and, although I'm genuinely not the one to exploit yiddishisms, my first thought was "Oy!" Somebody tell Gene Wilder to stop screaming! He did some funny shrieks in his previous films, including the Mel Brooks romps, but he kept it at the proper minimum. Here he screams in every scene like he's having his leg amputated with a steak knife and anesthetic was unavailable. Other times he mugs like a bad burlesque comic. The film itself is just as subtle, filled with loud music, heavy handed gags, and cartoon sound effects. The "Modern Times" parody is a major embarrassment. This film isn't even good bad. It's just sad bad. Even Wilder, in his DVD commentary said "They don't make movies like this today, and maybe that's a good thing." And then there's Carol Kane, who is absolutely adorable. In time, she too would become self conscious about her comic abilities (especially after "Taxi"), but here she gives a tender, endearing performance with occasional touches of genuine comedic spark which would be even better if only the material would give her more. The Sex-By-The-Numbers segment is the one truly funny bit in the movie. Those two look like they were made for each other. I'm really surprised they didn't become an item after the movie. Maybe she just couldn't handle the screaming.