Tim's Vermeer (2013) Reviews

• Fascinating dissertation on the relationship between science and art

  Buddy-512014-08-10

  What exactly is the relationship between science and art? Are they entirely separate domains or is there, Venn-diagram-like, some overlap between them? The 17th Century Dutch painter Johannes Vermeer has long been considered the world's master of the "photographic" painting. So lifelike, in fact, are Vermeer's works that it has long been speculated that he may have used some kind of scientific device available at the time to help him achieve the effect. Well, filmmaker Penn Jillette, with the help of Tim Jenson - an inventor, NOT a painter - has decided to get to the bottom of the controversy. The result is "Tim's Vermeer," a brief (76 minutes), fast-paced and utterly absorbing documentary that provides an aesthetic and intellectual feast for art and science lovers alike. Since this IS Penn Jillette we're talking about here - an illusionist who is also a tireless advocate for rationalism and empiricism - it's fitting that the movie would apply scientific precepts to its analysis of art. Tim hypothesizes that Vermeer may have used a device called a camera obscura combined with a small portable mirror to achieve an unprecedented verisimilitude in his paintings. It's pure speculation, since Vermeer left no notes behind documenting his creative and technical process. So Tim has decided to paint his own "Vermeer" using the technique he postulates the artist himself used, and to document that process on film. To that end, Tim has chosen Vermeer's "The Music Lesson" as his subject to copy, going so far as to recreate the room, along with the people and objects contained therein, of the original painting down to the smallest detail, only utilizing (and even crafting, if necessary) lenses, mirrors, lighting and paints that were in existence in the 1600s. It is a project that would take five full years to complete. If Vermeer did indeed use these optic "tricks" to achieve his effect, does that somehow diminish him as an artist? Does it make his skill as a painter less astonishing, even if it heightens his ingenuity as an inventor and problem-solver? Probably no more so than a second-rate painter being able to replicate (i.e., "forge") any art masterpiece diminishes the talent of the original artist. And why would it be considered "cheating" for an artist to incorporate all the technological devices available to him at the time to help him in his painting? Why must there exist an arbitrary and artificial dividing line between science and art? These are the questions that Teller's fascinating little movie brings to the fore. But isn't it better just to keep it all as a mystery, to declare Vermeer an artistic genius of the first rank and leave it at that? Perhaps, but then we wouldn't have "Tim's Vermeer" to inspire and engage us.

• A Virtual Art Course

  clarkj-565-1613362014-03-11

  Watching this film is a virtual art course in itself. Tim Jenison takes us on a search for the secrets of Dutch artist Vermeer's tremendous use of light in his art work. He researches early applications of the so called camera obscura and the use of lenses. He comes up with a possible theory of how Vermeer painted and then gets to work confirming his theory. His first test is a simple mirror reflecting an object onto a canvas. He experiments with this and confirms his thesis. He then decides to apply his model to recreating one of Vermeer's masterpieces. The outcome is sensational. The movie shows all the various constructional aspects, which as an engineer I really love. I kept wanting to get up out of my seat and start building a similar model. The detail which he went to in order to recreate the scene of the painting was astounding.

• A masterpiece

  christine-705-7171532014-03-13

  I'm not blessed with a natural sense of curiosity, so the question of how Dutch Master, Johannes Vermeer, painted his extraordinary masterpieces has never kept me up at night. Tim's Vermeer made me realize I should be kept up at night by the mysteries of the past. I love this movie. I love that I paid close attention through it all. I love Tim Jenison's biting humor. I love the mystery surrounding his theory. I love that even back then, there were people doing things behind the scenes to make the ordinary extraordinary. And I love that we will never know if it's true. Let me bring in my friend Heidi Sullivan to explain the meat and potatoes. Heidi and I made our yearly trek this year to the Hamptons together for the Hamptons Film Festival. She is an award-winning documentarian, and much, much, much smarter than I am. She also picks the movies we see because she is a deep-sea diver who spends time diving into things, while I am a water skier, flying over things on the surface level. We all have our strengths and weaknesses. Anyway, in the interest of making sure you get the whole thing, I asked her to write the paragraph explaining Tim's theory on Vermeer's painting process. Here is it. After you read it, you will be glad I asked her. She is nothing if not articulate when it comes to complex issues. She went to Harvard. Just sayin'. "Unlike those of his contemporaries, none of Vermeer's sketchbooks have ever been found, nor have X-rays of Vermeer paintings revealed any pencil marks underneath the paint, Intrigued by this fact, Jenison reasoned that Vermeer must have used a camera obscura, the 17th-century equivalent of a camera, to obtain his hyper-realist look (as the film points out, camera obscura literally means darkroom). To test out his theory, and limiting himself to objects and pigments that would have existed in Vermeer's day, Jenison positioned a mirror on a stick, placing the mirror at an angle to reflect the image to be painted onto his tablet. To match the color of the reflected image exactly, Jenison continually kept his eye on the edge of the mirror. Looking between the mirror and the reflected image he was painting, if the color he was using was too dark or too light, the edge of the mirror was visible to his eye. But once he mixed his colors to match exactly, the edge of the mirror seemed to disappear – his eye and the mirror functioning as a sort of photo-sensor. It was an incredibly painstaking paint-by-numbers process, but one that yielded uncanny results." Amazing right? But more amazing is Tim's exploration of this question. His journey to see if he could replicate is told with honesty, humor, and intelligence. Perhaps best of all, it approaches an extremely difficult topic with a sense of comic perspective. No one is curing cancer. He was responding to his own internal boredom with a project he admits he would have abandoned had not the cameras been rolling. There were 2,500 hours of film to edit. A feat in itself. There is a moment on film that I couldn't leave behind. Tim's daughter spends her week home from college posing for the painting. She has to be perfectly still. A contraption is strapped to her head that makes it look like she has just broken her neck and is in traction. She has a Diet Coke on the table, and the moment when she reaches for it and takes a drink is priceless. Coke should use it in a commercial. And, Tim's comment that she couldn't wait to return to school was priceless. I have to mention Penn Jillette, who was the 'Director' of this movie. But he really wasn't. He was the famous person whose backing allowed it to be made. Or so it seemed. I'm not a fan anyway, so having him associated with the film would have been a reason not to go, rather than a reason to pay attention. I like stick-to-itiveness in a person. I do. I can't wait to see a Vermeer and at the Met the next time I am in New York City. I like to be smarter than I was a few hours ago. I like to know things. For those reasons alone, go see the Tim's Vermeer. Become smarter. Ask yourself if Vermeer could secretly have been a paint-by-numbers kind of guy, hiding it because he knew it was a form of cheating? If the answer is yes, what else is possible?

• "It's like watching paint dry": visually stunning documentary

  paul-allaer2014-02-23

  "Tim's Vermeer" (2-13 release; 80 min.) brings the story of Tim Jenison, an inventor who has amassed a small fortune over his life time and now has become fascinated (obsessed may be the better word) with the 17th century Dutch master painter Johannes Vermeer. Tim examines in particular Vermeer's painting "The Music Lesson", which has an astonishing amount of details in it. Tim eventually comes to the conclusion that Vermeer used a variety of optical devices (mirrors, camera obscura, lenses), and to test his theory, he decides to recreate "The Music Lesson" from scratch, even though he is not a skilled painter by any means. To tell you more would ruin your viewing experience, you'll just have to see for yourself how it all plays out. Couple of comments: first, this documentary is made (and narrated) by Penn, he of Penn & Teller. Turns out that Penn and Tim have known each other for many years, and it's easy to see why this particular topic would have peaked Penn's interest enough to make it into a documentary. Second, the feeling of the documentary is pretty much one of a crime caper, in that we get to find out in detail how Tim goes about testing his various theories and his recreation of "The Music Lesson". Third, if you don't care for art, in particular painting, save yourself the trouble and catch another movie, as obviously the entire 'raison d'être' of the documentary is the making of a painting. At some point during his recreation of the painting, Tim gives an exhausted look towards the camera and sighs "it's like watching paint dry", much to the delight of the theater's crowd, which exploded in laughter. Last but not least, there is a nice soundtrack to this movie, composed by Conrad Pope and I've made a mental note to myself to check that out as well. (Bob Dylan's "When I Paint My Masterpiece" plays over the documentary's closing credits, an obvious but nice choice.) I saw this documentary this past weekend at the Landmark E Street Cinema and the early evening screening I saw this at was absolutely PACKED, which I think is great news. Facts always trump fiction, reason why I love a good documentary more than anything. If you are interested in art and you marvel at how Vermeer might've created some of his best work, you will absolutely love this. "Tim's Vermeer" is absolutely worth checking out, be it in the theater or on DVD. HIGHLY RECOMMENDED!

• The Mind is Greater than the Paint Brush?

  ThurstonHunger2014-09-01

  The Penn and Teller imprint makes sense, as this is in part a magic trick. It's also one hell of a documentary, a detective story, an art history lesson, a science project and I don't know, a baby's arm holding an apple? Watched it with my 11 year old twin boys, who've come across Penn & Teller before, but like me they were captivated by Tim. His matter-of-fact approach, and a wizened kindness that is there along with his obsessive engineering mind made him a great character on the screen. And probably a pretty decent person in real-life. It's nice that he has had enough commercial success in life that he can spend time rather than money, but even he questions the depths of his obsession. (Good thing they had decided to film this early on, as he admits to the camera.) He's certainly a do-er, and to us lazy mere thinkers, that's always impressive to see in action.