SYNOPSICS
Vercingétorix (2001) is a French,English movie. Jacques Dorfmann has directed this movie. Christopher Lambert,Klaus Maria Brandauer,Max von Sydow,Inés Sastre are the starring of this movie. It was released in 2001. Vercingétorix (2001) is considered one of the best Adventure,Biography,Drama,History,War movie in India and around the world.
Young Vercingetorix came of age in 60 B.C., as soldiers of the Roman Empire ran roughshod over Gaul and his father was captured and executed by Romans. A wise and philosophical druid, Guttuart, tells the angry Vercingetorix that he should seek justice by winning freedom for Gaul from the Romans. As an adult, Vercingetorix becomes a brave and insightful warrior, and at first joins forces with the charismatic Julius Caesar. But in time Vercingetorix is betrayed by the great leader, and soon he raises an army of his own to defeat Caesar and bring Guttuart's prophesy to life.
Vercingétorix (2001) Trailers
Same Actors
Same Director
Vercingétorix (2001) Reviews
I can't believe it's a real movie
"Vercingétorix" is the worst movie I have ever seen. It's a catastrophe beyond your imagination. Christophe Lambert is ridiculous as young Vercingetorix, and as old Vercingetorix too. The dialogues are so bad even I could have done better. The costumes look like rags. The fights are boring. Some scenes are so inconsistent it's funny... Example: imagine you've been living in a forest all of your life, without seeing the world. OK. Now, you're going out of the forest (obviously not a very thick one), and what can you see? A "via romana", a roman highway. Yes. Just a couple of trees from your cave. And who's riding on it, with a couple of bodyguards and one extra-horse? Julius Caesar himself and its fierce army. And the emperor just gives you a horse, because he has an extra one. And this explains why, some time later in the movie, Christophe Lambert says, giving a horse back to a roman soldier: "I give back to Caesar what belongs to Caesar." I'd say the following things to people who have the opportunity to see "Druids" (by the way, what druids? Those white-clad weirdos jumping around with a sword?): If you are a cinema student, you might want to see this movie just to get what you should never do. If you are interested in bad movie experiments, don't miss it either (it's a cult movie for many people for that very reason). If you're just a normal person, don't lose 3 hours of your life. The first hour is very funny but the 2 following ones are long.
Relentlessly Bad
Now I'm a great fan of historical epics, and I am willing to forgive a lot of historical inaccuracies in the name of cinematic expediency, especially with regard to a Celtic hero like Vercingetorix. However, as with all truly bad films, this film really can't decide what it wants to be. It makes a game attempt at historical accuracy (at least history according to Ceasar which is all we have to go on) by portraying Vercingetorix as someone who is willing to deal with the enemy then betray them, and there are some scenes such as the breast-baring women distracting the Romans which have a basis in writings of the time. OK - I'd be willing to forgive the historically inaccurate (and very un-scary) German connection until... ...we see Vercingetorix chatting with busty druidesses and gaining a magic sword and magic powers which he proceeds to twirl around faster than is humanly possible. Err, OK - so it wants to be a fantasy film. In which case why set it in a real historical time period with so many real events to build off - just go all out like Conan and be done with it. I mean - if he has magical power he should win at the end right? The film proceeds to both destroy history and ruin one's enjoyment of all fantasy films with ruthless efficiency. So thats the screenplay written off, but perhaps it can be saved by some good performances? Lambert. Never before has there been an actor made entirely of wood. Does this man have more than one facial expression carved on his trunk? Ceasar was passable, but lets face it, if he wants to make a name for himself by playing famous Romans he is in for a long wait for that phone call. The rest of the cast act like, and probably are, extras. Good for them for getting some face time I say. OK - so the screenplay and acting are garbage. Perhaps the action and/or special effects can save the film. Err. No. Sorry. Joan of Arc and Gladiator-style battle scenes this does not have. I'm willing to even cut it some slack for its obviously low budget, but even taking that into account its a non-starter. When you truly feel you could have made a better film with claymation figures and a shoebox camera then something is very very wrong indeed. However that is not the end of it. The awful, choppy editing and lack of timing and pacing combined with everything else makes for a truly painful viewing experience, one of the worst in my living memory. It is this which turns a merely bland and boring film into a bottom-100 dweller. If the real Vercingetorix saw this he'd fall on his sword. Nul points as they say at Eurovision.
Poor Vercingetorix... he got dragged into infamy once again.
The English title itself is stupid and misleading. Unfortunately it should have been the story of Vercingetorix, King of the Gauls, but it falls short in its intent. Although the Cast is hard-working and professional the movie is a weak action-adventure nonsense. If you compare it to "Gladiator" it pales and fades away into nothingness. My supposition being, that it was conceived for a TV audience and probably was intended as a mini-series (a 2x90min. TV movie), in which case some silent and motionless scenes could be explained away as being the remnants of what should have been an interesting plot-twist of the longer version, and instead some battle scenes (some of which we might never know to which battlefield they would belong... must have been a director's afterthought just to bring life to an otherwise boring film) could have been better organized to follow the plot. "Braveheart" and "Gladiator" it ain't. What remains is oblivion. Poor Vercingetorix, had he lived to watch this, he would have hunted down the director rather than Julius Caesar. The French didn't honor much their hero this time...
I'm starting to lose patience...
Much as I generally enjoy watching good old Mr. Lambert messing about in the usual mindless, middle-of-the-road sci-fi shenanigans that he likes to frequent, I get no satisfaction whatsoever from seeing him jump up and down violently on what's left of his career in a sick-makingly irredeemable cinematic dog such as this. Like so many reviewers before me, I just don't know where to begin. Let's see: a shockingly bad soundtrack, editing the likes of which I've never seen, pointless, half-finished subplots, props and costumes that look like they were bought from the joke shop down the road (well, from some comedian in the nearest Bulgarian farming village, anyway), the criminal comparison to Braveheart on the video sleeve, dialogue that makes Hellgate and Slugs sound like they were written by David Mamet, and the most Austrian Austrian they could find to star as the most Roman Roman of all time, Caesar. Worst of all, the "kill me now" plea so obvious in Mr. Lambert's eyes (when you can see them through the hair) from start through to merciful finish. Easily the worst film I've seen for years. And in the last few years I've seen Octopus, Spiders, Spiders 2, Ripper, Bats, Turbulence 3 and Deathstalker IV. Somebody tell Christopher Lambert that it's not funny any more.
what were they thinking?
I picked up this video with a free rental coupon, as part of a Klaus Maria Brandauer video marathon. I have been holding off on watching this one, because I had read some reviews and knew it had not been well-received. I have never seen anything so tedious. I tried to understand what made it so bad and I have a few ideas: C.L. has no personality on film. He was good in the "Greystoke" Tarzan scenes because he was young and lean and naked, once dressed and indoors, he had nothing to offer the viewer. In "Druids" he looks awful, so that only leaves us with his delivery of lines - which is also awful. Klaus was boring ( I am shocked to write it) and seemed to be killing time in every scene. The warriors seemed to spend their time waiting to be told what to do. Everyday as sunny, all the battlefields were smooth and grassy, the horses were never out of breath or foaming with exertion. It was totally unrealistic - NO BLOOD or mud on the battleground after a clash. One good aspect was the two female leads - the girlfriend and the warrior, who were portrayed as intelligent and capable. That's it.