Year of the Dog (2007) Reviews

• Dog People are People Too

  moutonbear252007-04-21

  Dog people. When I think of dog people, I think of my friend, Lloyd. He's got this puppy, Andy. Andy's got his own personal walker, play dates on weekends and some pieces of his wardrobe are more stylish than mine. Despite being the dog that has everything, the most important thing he has is Lloyd. If you spend any time with this twosome, it's hard to tell who loves who more. Some people say that owning a dog is selfish, that having another living being depend on you and give you nothing but love in return only serves the owner's ego. I guess these people forgot about the natural human need to nurture. I suppose these people also have not had the chance to see Mike White's YEAR OF THE DOG. White, writer of indie faves CHUCK AND BUCK and THE GOOD GIRL, makes his directorial debut with the simple tale of one woman, whose tightly wound life of disappointment unravels after the death of her dog, a beautiful beagle named Pencil. Before Pencil's unexpected passing, Peggy (Molly Shannon) spent her days with a permanent smile on her face. Whether she was at the office comforting her boss (Josh Pais) while his neuroses got stuck in spin over office politics, or at the mall listening to her colleague (Regina King) yammer on about her boyfriend's commitment issues or even walking on eggshells while visiting her brother and his overprotective wife (Thomas McCarthy and Laura Dern), Peggy never frowned. Sure, she never found her dream job or got married or had any kids of her own. But why should she let that bother her? She has her health, a home and Pencil. Finding herself without Pencil though finds Peggy feeling lost. The beauty of White's script is that Peggy is not suddenly lost but only suddenly realizing that she has been for years. Anchoring this decent into the depth of an internal fear that has been avoided for years is Shannon. As Peggy, she never fully abandons her comedic luminescence but shows new sides of her range, including fragility, determination and sparks of buried hope. She sits one night in a passenger seat at the end of a date. Her suitor (John C. Reilly) asks without tact if she has ever been married. The woman who answers no longer has the strength or the desire to pretend anymore. She simply stutters through an evasive response and stumbles as she exits the car. Pencil's death leads to her meeting Newt (Peter Saarsgard), a dog trainer that coaches her how to tame her newly adopted dog, Valentine, while unknowingly waking a part of her heart thought long to be dead. Meeting people is easy. Getting to know people is tricky. Navigating a relationship through the hope and apprehension that comes after years of potentially difficult experiences can be more than enough to make you run home to your dog. For Newt and Peggy, neither has had much success with other human beings. Other human beings are complicated and come with their own set of expectations. Animals on the other hand, want very clear things from you, like food and attention, and, in return, give you unqualified love and admiration. You don't have to think about what to say to a dog when there is an awkward silence. There is no experience to be had with a dog that mirrors the dance between two people who are trying to figure out whether this is or isn't the right time to kiss the other person. And while all of this can be infuriating, it should not be forgotten that this is an excitement that cannot be had with a dog. White's script works because he does not categorize the characters but rather allows them to grow into themselves, no matter whether that self fits into society's mold or not. As a film however, YEAR OF THE DOG, is occasionally just as awkward as its characters. White's direction and cinematic approach are often static and flat, ultimately taking away from the warmth of the whole. Thankfully, Peggy's late life journey towards embracing her true self is so winningly portrayed by Shannon that the film's cinematic limitations never go from flaw to fault. By the time she realizes that her own compartmentalized cubicle life bares its own resemblance to the life of a dog in a pound, she sees that it is also just as wrong for her as for the dogs. After all, dog people are people too and if there's anyone out there who should give you unconditional love, it's yourself.

• Ultimate Bait and Switch film

  stevepat992007-09-06

  I had been trying to nail down what about this film bugs me. Then I again read the film's DVD jacket which promised a film that was "quirky....amusing....and...funny," a film about a woman, Peggy, who is described in exacting detail as: A happy go lucky woman who has many friends who appreciate her and a job that utilizes her skills. She Has a nice home and she has her beloved dog Pencil. Presently, she chooses to be single. Then something happens that sends her into the dog eat dog world of searching for love.* WOW, I'm thinking ....devoted pet owner, romance, comedy, laughs, the search for love! All the elements needed for a 'different' slice of life film. So what is bugging me? Perhaps the bait and switch marketing approach which found me viewing a vastly different movie. The movie I viewed delivered a very dark story (albeit some funny moments) that chronicles the emotional deconstruction of Peggy in all its depressing fashion, from frame one to film's end, to wit: Peggy's beloved dog Pencil tragically dies of toxic poisoning. Her new replacement dog Valentine KILLS a smaller defenseless dog. Valentine is then put to death. Peggy attempts to kill (knife) her neighbor. Peggy commits a felony against her sister by maliciously destroying thousands of dollars of her sister's property. We see Peggy's metamorphosis into an obsessed animal rights advocate. Peggy attempts to show her young niece how chickens are slaughtered. Peggy's sister and brother-in-law are understandably distraught. Peggy embezzles from her employer and is fired. Peggy takes 15 dogs into her home where they run wild using her home (pardon the phrase) as a LITTER BOX. The dogs are removed from her home on the basis that Peggy is now MALTREATING ANIMALS. After needed psych treatment Peggy feigns resurrection by first returning to her home and job (yes her employer actually takes her back) and then in a flash turns her back on all. Peggy's animal rights obsession resurfaces with a vengeance. It compels her to drive off, on a distant animal rights mission, leaving home, job and family behind. For the first time in her recent life Peggy is also, can you believe it, PETLESS. New title for this amusing, quirky, searching for love, funny and pet loving film: Petless, Friendless, Jobless, Familyless, Homeless, Loveless BUT Happily Obsessed! * Also misleading. In the film we never see Peggy embarked on any search for love. Two men initiate brief dead end involvements in her life.

• This is not a comedy!

  pattysdoscher-11-7993072011-03-25

  This movie has got to be the worst movie I have ever seen. I watched it on Netflix and they said it was a comedy. Well, it wasn't. I laughed at the one part where she had 15 dogs in her car and that was it. She became insane the more she seemed to "like" animals. She didn't really take care of them. She let them do whatever they wanted. Anyway, this movie was a complete waste of my time. Don't waste your time on it. I expected more from Molly Shannon. I expected something smart and funny and all I got was dumb and boring and weird. There was nothing good about this movie. It was a strange movie and at the end, I was like "is that it?"

• A movie for animal lovers and haters

  j-ward2007-04-16

  Most Americans have at one point in their lives experienced love for a dog or a cat. This movie captures that feeling and yet it shows what can happen when a person lets this love become all consuming and it does a great job. This is my personal favorite movie of 2007. The characters that make up the movie are caricatures but yet they represent something real in all of us and and the themes in the movie accurately capture many issues that Americans face in contemporary society. What I like best is that "dog haters", if such people exist, will find much to enjoy in the movie as well. This is because the dark side of animal love is given equal time and thought as is given to the beauty of giving your heart and soul fully to the love of animals. Moreover, the main character is as easy to laugh at as to cry with. This isn't some silly comedy like most of the other movies with dog in the title which are all in my opinion dogs. This is a black comedy with penetrating insights into issues that have a lot of proponents on opposite sides of a long spectrum. If you like to see a movie where you can check your brain in at the ticket booth then this one is probably not for you. If you like to be enlightened as well as entertained, check this out because in addition to giving the viewer a well thought out look at canine animals, this film is a brilliant portrayal of the psychology of the human animal as well.

• I don't have much new to add, but this film is unfortunately being overlooked

  zetes2007-04-30

  I'm a sucker for movies about people and their pets. This film stars former SNL player Molly Shannon as a secretary whose personal life revolves around her beagle, Pencil. When he passes away unexpectedly, she has to find another reason to go on. The film first hints that she'll discover the world of humans around her, particularly men, as two new ones (John C. Reilly & Peter Saarsgard) enter her life. But it smartly steers away from the obvious and veers into a more original voyage of self-discovery. My only real problem with the film is that a lot of the supporting characters are a little too caricature-esquire (notably Shannon's boss, played by Josh Pais), but writer/director White does a good job of redeeming them for the most part. A very touching, gentle film that's well worth your time.